Cultured American

Aristocratic Beauty: Meaning & Definition

There are two kinds of aristocratic beauty. The first kind can be explained using some of the facial features and popular aesthetics that have been prevalent in the highest echelons of society throughout the centuries.

1) Physical Appearance

• A Long Thin Nose

The aristocracy has long been associated with a particular type of nose, one that has come to represent both noble beauty and also strength of character. This type of nose was common among many aristocratic families, which is perhaps what led to this facial feature becoming a hallmark of the noble classes.

• A Defined Jawline And Chin

The famous names of the aristocracy have traditionally been represented in fine art paintings that show the men in military uniform and the ladies in exquisite dresses. A perfect complement to these costumes and settings was a strong chin for the males and a beautifully defined jawline for the women and girls. This is perhaps why this kind of profile ultimately became a feature associated with aristocratic beauty.

• An Oval-shaped Face

In terms of classical beauty, symmetry and proportion play an important part of the overall appeal of a face. One of the most admired face shapes is that of an oval, which is regarded as more pleasing than an overtly round or square-shaped face. This face shape has thus become an ideal to attain or enhance, something that the aristocratic classes would have had the time and the means to pursue.

• Lustrous Hair

In some cultures, beautiful hair could be a representation of good health and affluence. The noble classes would go to great lengths to ensure their hair looked its best, not only with good maintenance (something the working classes had less time for) but also with lavish decorations and jewels to show off their locks as impressively as possible.

2) Aesthetics

• A Proud Stature

Aristocratic beauty is about more than facial features, it also extends to the way a person holds themselves, their stance, and the position of their head. It’s well known that stature is a good reflection of self-esteem and self-confidence, and aristocrats were raised to believe in their superiority and value – something that came to be embodied in the stature of the noble classes.

• An Unhurried Walk

Beyond facial features and body positioning, aristocratic beauty can be witnessed in the way a person moves. Royals and nobles were trained from an early age to be dignified at all times, so rushing and dashing is not a feature of aristocratic behaviour. As such, an unhurried walk and graceful cadence have come to signify a noble character and represent a type of aristocratic beauty. 

These traits and characteristics have become associated with the finest aristocratic aesthetics, based on many centuries of evolution within this esteemed noble class. 

These features were deemed to be the epitome of aristocratic beauty, and as such, portrait painters would be keen to highlight or enhance such traits in a bid to please and honour their patrons. This practice of creating portraiture that reflects the desirable traits further entrenched the idea that these facial and physical appearances were a core feature of aristocratic excellence.

• Noble Airs & Graces

The above traits and features are typical of some of the most famous and admired aristocrats of the ages, and they have come to collectively represent an imagery that’s often associated with the noble classes.

• Poise & Grace

Maintaining an air of poise and dignity is not the reserve of the noble classes. Self-composure and emotional balance are qualities that people from all walks of life can acquire or attain. Yet, an appearance of poise can suggest the kind of composure and grace that the most beautiful nobles are famous for.

• Elegance & Refinement

These traits can be represented in physical beauty, and family genetics can also play a part. Yet, they are available to all, and with a focus on elegance and refinement, it’s possible for anyone to develop a more aristocratic air.

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710 viewsedited  Jan 8 at 21:00

Aristocratic Beauty: Meaning & Definition

There are two kinds of aristocratic beauty. The first kind can be explained using some of the facial features and popular aesthetics that have been prevalent in the highest echelons of society throughout the centuries.

1) Physical Appearance

• A Long Thin Nose

The aristocracy has long been associated with a particular type of nose, one that has come to represent both noble beauty and also strength of character. This type of nose was common among many aristocratic families, which is perhaps what led to this facial feature becoming a hallmark of the noble classes.

• A Defined Jawline And Chin

The famous names of the aristocracy have traditionally been represented in fine art paintings that show the men in military uniform and the ladies in exquisite dresses. A perfect complement to these costumes and settings was a strong chin for the males and a beautifully defined jawline for the women and girls. This is perhaps why this kind of profile ultimately became a feature associated with aristocratic beauty.

• An Oval-shaped Face

In terms of classical beauty, symmetry and proportion play an important part of the overall appeal of a face. One of the most admired face shapes is that of an oval, which is regarded as more pleasing than an overtly round or square-shaped face. This face shape has thus become an ideal to attain or enhance, something that the aristocratic classes would have had the time and the means to pursue.

• Lustrous Hair

In some cultures, beautiful hair could be a representation of good health and affluence. The noble classes would go to great lengths to ensure their hair looked its best, not only with good maintenance (something the working classes had less time for) but also with lavish decorations and jewels to show off their locks as impressively as possible.

2) Aesthetics

• A Proud Stature

Aristocratic beauty is about more than facial features, it also extends to the way a person holds themselves, their stance, and the position of their head. It’s well known that stature is a good reflection of self-esteem and self-confidence, and aristocrats were raised to believe in their superiority and value – something that came to be embodied in the stature of the noble classes.

• An Unhurried Walk

Beyond facial features and body positioning, aristocratic beauty can be witnessed in the way a person moves. Royals and nobles were trained from an early age to be dignified at all times, so rushing and dashing is not a feature of aristocratic behaviour. As such, an unhurried walk and graceful cadence have come to signify a noble character and represent a type of aristocratic beauty. 

These traits and characteristics have become associated with the finest aristocratic aesthetics, based on many centuries of evolution within this esteemed noble class. 

These features were deemed to be the epitome of aristocratic beauty, and as such, portrait painters would be keen to highlight or enhance such traits in a bid to please and honour their patrons. This practice of creating portraiture that reflects the desirable traits further entrenched the idea that these facial and physical appearances were a core feature of aristocratic excellence.

• Noble Airs & Graces

The above traits and features are typical of some of the most famous and admired aristocrats of the ages, and they have come to collectively represent an imagery that’s often associated with the noble classes.

• Poise & Grace

Maintaining an air of poise and dignity is not the reserve of the noble classes. Self-composure and emotional balance are qualities that people from all walks of life can acquire or attain. Yet, an appearance of poise can suggest the kind of composure and grace that the most beautiful nobles are famous for.

• Elegance & Refinement

These traits can be represented in physical beauty, and family genetics can also play a part. Yet, they are available to all, and with a focus on elegance and refinement, it’s possible for anyone to develop a more aristocratic air.

BY Cultured American