The spectral as a spectrum deconstructs binary oppositions by challenging the ontological adequacy of binary categories such as life and death, presence and absence, and reality and imagination.
[...]
It defies clear categorizations because it exists both “between” and “beyond” binary oppositions, embodying a spectrum of possibilities and appearing as a specter – something that is not fully present yet not entirely absent. The revisability of history haunts the whole world with this insubstantiality and lack of essence, rendering ontology a kind of hauntology.
— Jason Reza Jorjani, SATANAEON
Images: Gustave A. Mossa, Waltz of Death, 1906 / Hamlet and the Skull, 1909
[...]
It defies clear categorizations because it exists both “between” and “beyond” binary oppositions, embodying a spectrum of possibilities and appearing as a specter – something that is not fully present yet not entirely absent. The revisability of history haunts the whole world with this insubstantiality and lack of essence, rendering ontology a kind of hauntology.
— Jason Reza Jorjani, SATANAEON
Images: Gustave A. Mossa, Waltz of Death, 1906 / Hamlet and the Skull, 1909
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The spectral as a spectrum deconstructs binary oppositions by challenging the ontological adequacy of binary categories such as life and death, presence and absence, and reality and imagination.
[...]
It defies clear categorizations because it exists both “between” and “beyond” binary oppositions, embodying a spectrum of possibilities and appearing as a specter – something that is not fully present yet not entirely absent. The revisability of history haunts the whole world with this insubstantiality and lack of essence, rendering ontology a kind of hauntology.
— Jason Reza Jorjani, SATANAEON
Images: Gustave A. Mossa, Waltz of Death, 1906 / Hamlet and the Skull, 1909
[...]
It defies clear categorizations because it exists both “between” and “beyond” binary oppositions, embodying a spectrum of possibilities and appearing as a specter – something that is not fully present yet not entirely absent. The revisability of history haunts the whole world with this insubstantiality and lack of essence, rendering ontology a kind of hauntology.
— Jason Reza Jorjani, SATANAEON
Images: Gustave A. Mossa, Waltz of Death, 1906 / Hamlet and the Skull, 1909
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