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Тема сегодняшнего поста созревала уже где-то неделю. Вероятно, всем известны советские чайные сервизы с изображениями сирени. Какие заводы только ни выпускали изделия, украшенные веточками сирени: и «Первомайский», и новгородский «Пролетарий», и краснодарский «Чайка». Однако среди них есть один, с которым этот декор ассоциируется наиболее прочно – Дулевский фарфоровый завод.

Возможно, именно в Дулево еще до революции (!) и появился этот рисунок, впоследствии наносившийся деколью на фарфоровые изделия по всему Советскому Союзу. Более того, именно на Дулевском заводе этот рисунок нашел идеальную пару, легендарные формы «Тюльпан», созданные на ЛФЗ Серафимой Евгеньевной Яковлевой. А еще именно на этом заводе в 1956 г., в разгар борьбы с декоративными излишествами, был выпущен особенно ценный теперь сервиз, украшенный сиренью и снаружи, и внутри.

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The idea for this post has been blooming for over a week now. All of our Russian members must have seen or used Soviet tea sets adorned with lilac flowers. There wasn’t a porcelain factory that didn’t produce lilac-decorated ceramics at one time or other. Such pieces were available from Pervomaysky Porcelain Factory, Proletary, Chayka, to name just a few. There is one factory, however, whose name first comes to mind when one thinks of lilac ornaments, Dulyovo Porcelain Factory.

It was probably at Dulyovo that this decal pattern, which then spread across the Soviet Union, was originally created by an unknown artist years before the Revolution. It was at Dulyovo that this imagery found a perfect match in the Tulip line designed by Serafima Yakovleva at Leningrad Porcelain Factory. Also, it was Dulyovo that produced this highly sought-after tea set adorned with lilac flowers both on the outside and inside in 1956, amidst the campaign against excessive decorations in architecture and elsewhere.

(photos: ru.bidspirit.com, @riabokon7662, @antiques_moscow_13, goskatalog.ru, pulse.mail.ru user VassabiO, meshok.net, dulevo.ru)



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Тема сегодняшнего поста созревала уже где-то неделю. Вероятно, всем известны советские чайные сервизы с изображениями сирени. Какие заводы только ни выпускали изделия, украшенные веточками сирени: и «Первомайский», и новгородский «Пролетарий», и краснодарский «Чайка». Однако среди них есть один, с которым этот декор ассоциируется наиболее прочно – Дулевский фарфоровый завод.

Возможно, именно в Дулево еще до революции (!) и появился этот рисунок, впоследствии наносившийся деколью на фарфоровые изделия по всему Советскому Союзу. Более того, именно на Дулевском заводе этот рисунок нашел идеальную пару, легендарные формы «Тюльпан», созданные на ЛФЗ Серафимой Евгеньевной Яковлевой. А еще именно на этом заводе в 1956 г., в разгар борьбы с декоративными излишествами, был выпущен особенно ценный теперь сервиз, украшенный сиренью и снаружи, и внутри.

———

The idea for this post has been blooming for over a week now. All of our Russian members must have seen or used Soviet tea sets adorned with lilac flowers. There wasn’t a porcelain factory that didn’t produce lilac-decorated ceramics at one time or other. Such pieces were available from Pervomaysky Porcelain Factory, Proletary, Chayka, to name just a few. There is one factory, however, whose name first comes to mind when one thinks of lilac ornaments, Dulyovo Porcelain Factory.

It was probably at Dulyovo that this decal pattern, which then spread across the Soviet Union, was originally created by an unknown artist years before the Revolution. It was at Dulyovo that this imagery found a perfect match in the Tulip line designed by Serafima Yakovleva at Leningrad Porcelain Factory. Also, it was Dulyovo that produced this highly sought-after tea set adorned with lilac flowers both on the outside and inside in 1956, amidst the campaign against excessive decorations in architecture and elsewhere.

(photos: ru.bidspirit.com, @riabokon7662, @antiques_moscow_13, goskatalog.ru, pulse.mail.ru user VassabiO, meshok.net, dulevo.ru)

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In a statement, the regulator said the search and seizure operation was carried out against seven individuals and one corporate entity at multiple locations in Ahmedabad and Bhavnagar in Gujarat, Neemuch in Madhya Pradesh, Delhi, and Mumbai. For Oleksandra Tsekhanovska, head of the Hybrid Warfare Analytical Group at the Kyiv-based Ukraine Crisis Media Center, the effects are both near- and far-reaching. On February 27th, Durov posted that Channels were becoming a source of unverified information and that the company lacks the ability to check on their veracity. He urged users to be mistrustful of the things shared on Channels, and initially threatened to block the feature in the countries involved for the length of the war, saying that he didn’t want Telegram to be used to aggravate conflict or incite ethnic hatred. He did, however, walk back this plan when it became clear that they had also become a vital communications tool for Ukrainian officials and citizens to help coordinate their resistance and evacuations. In 2018, Russia banned Telegram although it reversed the prohibition two years later. The fake Zelenskiy account reached 20,000 followers on Telegram before it was shut down, a remedial action that experts say is all too rare.
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