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Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques


Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон



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Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques


Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон

BY artintensity









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Telegram | DID YOU KNOW?

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Right now the digital security needs of Russians and Ukrainians are very different, and they lead to very different caveats about how to mitigate the risks associated with using Telegram. For Ukrainians in Ukraine, whose physical safety is at risk because they are in a war zone, digital security is probably not their highest priority. They may value access to news and communication with their loved ones over making sure that all of their communications are encrypted in such a manner that they are indecipherable to Telegram, its employees, or governments with court orders. In addition, Telegram now supports the use of third-party streaming tools like OBS Studio and XSplit to broadcast live video, allowing users to add overlays and multi-screen layouts for a more professional look. I want a secure messaging app, should I use Telegram? Oh no. There’s a certain degree of myth-making around what exactly went on, so take everything that follows lightly. Telegram was originally launched as a side project by the Durov brothers, with Nikolai handling the coding and Pavel as CEO, while both were at VK.
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