Пора давно прибить поэтов, Особенно поэтов-zет. Так пел для вас покойный Летов На протяженьи многих лет. Так без метафор, по-простому, Без экивоков и сравнений Просил вас удалить саркому Сибирский наш панк-рока гений. Но вы не слушали в гордыне Советов из сибирских руд, Поэтому вам всем отныне Поэты-zет мозги ебут.
Пора давно прибить поэтов, Особенно поэтов-zет. Так пел для вас покойный Летов На протяженьи многих лет. Так без метафор, по-простому, Без экивоков и сравнений Просил вас удалить саркому Сибирский наш панк-рока гений. Но вы не слушали в гордыне Советов из сибирских руд, Поэтому вам всем отныне Поэты-zет мозги ебут.
BY Вестник родимых болот
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The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. "The argument from Telegram is, 'You should trust us because we tell you that we're trustworthy,'" Maréchal said. "It's really in the eye of the beholder whether that's something you want to buy into." Multiple pro-Kremlin media figures circulated the post's false claims, including prominent Russian journalist Vladimir Soloviev and the state-controlled Russian outlet RT, according to the DFR Lab's report. "For Telegram, accountability has always been a problem, which is why it was so popular even before the full-scale war with far-right extremists and terrorists from all over the world," she told AFP from her safe house outside the Ukrainian capital. In addition, Telegram's architecture limits the ability to slow the spread of false information: the lack of a central public feed, and the fact that comments are easily disabled in channels, reduce the space for public pushback.
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