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Картины Бориса Кустодиева (1878-1927):

"Николай II" (1915);
"Масленица" (1916);
"Московский трактир" (1916);
"Ярмарка" (1906);
"Купчиха с чаем" (1918);
"Чтение манифеста" (1909);
"Большевик" (1920);
"Портрет Ф.И. Шаляпина" (1922);
— «Групповой портрет членов объединения „Мир искусства“»(Незаконченный).
Жанр: историческая живопись
Стиль: импрессионизм, реализм.
#Культура



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Картины Бориса Кустодиева (1878-1927):

"Николай II" (1915);
"Масленица" (1916);
"Московский трактир" (1916);
"Ярмарка" (1906);
"Купчиха с чаем" (1918);
"Чтение манифеста" (1909);
"Большевик" (1920);
"Портрет Ф.И. Шаляпина" (1922);
— «Групповой портрет членов объединения „Мир искусства“»(Незаконченный).
Жанр: историческая живопись
Стиль: импрессионизм, реализм.
#Культура

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But the Ukraine Crisis Media Center's Tsekhanovska points out that communications are often down in zones most affected by the war, making this sort of cross-referencing a luxury many cannot afford. Oleksandra Matviichuk, a Kyiv-based lawyer and head of the Center for Civil Liberties, called Durov’s position "very weak," and urged concrete improvements. Some people used the platform to organize ahead of the storming of the U.S. Capitol in January 2021, and last month Senator Mark Warner sent a letter to Durov urging him to curb Russian information operations on Telegram. "He has kind of an old-school cyber-libertarian world view where technology is there to set you free," Maréchal said. "For Telegram, accountability has always been a problem, which is why it was so popular even before the full-scale war with far-right extremists and terrorists from all over the world," she told AFP from her safe house outside the Ukrainian capital.
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