/THE FUTURE OF NOBILITY/
Nietzsche, The Dawn

The bearing of the aristocratic classes shows that, in all the members of their body the consciousness of power is continually playing its fascinating game. Thus people of aristocratic habits, men or women, never sink worn out into a chair; when every one else makes himself comfortable, as in a train, for example, they avoid reclining at their ease; they do not appear to get tired after standing at Court for hours at a stretch; they do not furnish their houses in a comfortable manner, but in such a way as to produce the impression of something grand and imposing, as if they had to serve as a residence for greater and taller beings; they reply to a provoking speech with dignity and clearness of mind, and not as if scandalised, crushed, shamed, or out of breath in the plebeian fashion. As the aristocrat is able to preserve the appearance of being possessed of a  superior physical force which never leaves him, he likewise wishes by his aspect of constant serenity and civility of disposition, even in the most trying circumstances, to convey the impression that his mind and soul are equal to all dangers and surprises. A noble culture may resemble, so far as passions are concerned, either a horseman who takes pleasure in making his proud and fiery animal trot in the Spanish fashion, — we have only to recollect the age of Louis xiv., — or like the rider who feels his horse dart away with him like the elemental forces, to such a degree that both horse and rider come near losing their heads, but, owing to the enjoyment of the delight, do keep very clear heads: in both these cases this aristocratic culture breathes power, and if very often in its customs only the appearance of the feeling of power is required, nevertheless the real sense of superiority continues constantly to increase as the result of the impression which this display makes upon those who are not aristocrats.

This indisputable happiness of aristocratic culture, based as it is on the feeling of superiority, is now beginning to rise to ever higher levels; for now, thanks to the free spirits, it is henceforth permissible and not dishonourable for people who have been born and reared in aristocratic circles to enter the domain of knowledge, where they may secure more intellectual consecrations and learn chivalric services even higher than those of former times, and where they may look up to that ideal of victorious wisdom which as yet no age has been able to set before itself with so good a  conscience as the period which is about to dawn. Lastly, what is to be the occupation of the nobility in the future if it becomes more evident from day to day that it is less and less indecorus to take any part in politics?

Nietzsche on true friendship being a shared ideal beyond the friends’ individual desires.

Mencken on Nietzsche:

"It is not a German that speaks in ‘The Antichrist,’ nor even the Polish noble that Nietzsche liked to think himself, but a Greek of the brave days before Socrates, a spokesman of Hellenic innocence and youth."

Nietzsche’s physique and bearing as described by pianist Adolf Ruthardt, who met him in 1885.

“Everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something ‘ugly’. His feeling of power, his will to power, his courage, his pride - they decline with the ugly, they increase with the beautiful.” — Friedrich Nietzsche.