The 1993 conference HOW Magazine
by Carlos Segura
In one respect it was groundbreaking: the first How Conference collateral campaign — ads, cards, a notebook cover, etc. — to be fully computer-generated. On a Mac IIci, to be precise, using Quark, Illustrator, and Photoshop. “We encountered many technical issues, all of which sound silly now, since everything is done this way. But back then it seemed everything was going wrong. We finally got it together and made it happen.
“By the way, the typeface designed for this event — called Neo — went on to become one of the first fonts we released via t26.com,” tells Segura
#typography #old_good_things #typedesign
by Carlos Segura
In one respect it was groundbreaking: the first How Conference collateral campaign — ads, cards, a notebook cover, etc. — to be fully computer-generated. On a Mac IIci, to be precise, using Quark, Illustrator, and Photoshop. “We encountered many technical issues, all of which sound silly now, since everything is done this way. But back then it seemed everything was going wrong. We finally got it together and made it happen.
“By the way, the typeface designed for this event — called Neo — went on to become one of the first fonts we released via t26.com,” tells Segura
#typography #old_good_things #typedesign
Typeface
by workroom
Довольно логично, на первый взгляд. Пропорции знаков определяются геометрией и желаниями автора получить особую выразительность в наборе.
🎬———>> wwwwwwww
#typedesign #logico #custom #typeface
by workroom
Довольно логично, на первый взгляд. Пропорции знаков определяются геометрией и желаниями автора получить особую выразительность в наборе.
🎬———>> wwwwwwww
#typedesign #logico #custom #typeface
Fast Company Magazine Logo
by Mike Schnaidt and Rui Abreu
I chose to create a fresh logo using the versatile Grifo type family. I love how it’s thin areas feel sophisticated, yet it’s serifs are daring. I set the logo in Grifito, the more condensed version, and the small cap A and O in the wider Grifo. From there, I asked for some adjustments to harken back to the old Fast Company logo, and the type designer Rui Abreu modified all of the letterforms to be more harmonious.
#logo #editorial
by Mike Schnaidt and Rui Abreu
I chose to create a fresh logo using the versatile Grifo type family. I love how it’s thin areas feel sophisticated, yet it’s serifs are daring. I set the logo in Grifito, the more condensed version, and the small cap A and O in the wider Grifo. From there, I asked for some adjustments to harken back to the old Fast Company logo, and the type designer Rui Abreu modified all of the letterforms to be more harmonious.
#logo #editorial
The font’s name is Gorton
Эта картинка — анонс развернутого и богато иллюстрированного рассказа про историю шрифта Гортон. Прекрасное.
#typedesign #wow
Эта картинка — анонс развернутого и богато иллюстрированного рассказа про историю шрифта Гортон. Прекрасное.
#typedesign #wow