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Сорока годами позднее, в 1966 году, французский дизайнер Пьер Полен, который, по словам Николя Саркози, «превратил дизайн в искусство», также использует стальные трубки в качестве каркаса, только полностью скрыв их от глаз под современными на тот момент синтетическими материалами. В результате получится кресло «Ribbon», которое произведет фурор во всем мире и станет экспонатом многих музеев современного искусства, включая, разумеется, MoMA, а также декорацией для многих фильмов.
 
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Forty years later, in 1966, Pierre Paulin, a French designer, who “made design an art”, if we quote Sarkozy, would also use tubular steel as a chair frame, this time fully covering the naked steel in an innovative rubber foam material. What resulted was the Ribbon chair that would create quite a stir in the design world and make its way into multiple museums of modern art, including MoMA, as well as movies.



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Сорока годами позднее, в 1966 году, французский дизайнер Пьер Полен, который, по словам Николя Саркози, «превратил дизайн в искусство», также использует стальные трубки в качестве каркаса, только полностью скрыв их от глаз под современными на тот момент синтетическими материалами. В результате получится кресло «Ribbon», которое произведет фурор во всем мире и станет экспонатом многих музеев современного искусства, включая, разумеется, MoMA, а также декорацией для многих фильмов.
 
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Forty years later, in 1966, Pierre Paulin, a French designer, who “made design an art”, if we quote Sarkozy, would also use tubular steel as a chair frame, this time fully covering the naked steel in an innovative rubber foam material. What resulted was the Ribbon chair that would create quite a stir in the design world and make its way into multiple museums of modern art, including MoMA, as well as movies.

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