سَمّه ما شئت: القتل، الموت، الإعدام، الفغص، السحق، الحرق، الإبادة، التفتيت، التقطيع.. الخ أصبح هذا الذي اخترتَه، أقرب إلي أحدنا في #غزة من شراك نعله.. وبلا وداعٍ أخير، وعلى جوعٍ وقهرٍ وعطشٍ.
سَمّه ما شئت: القتل، الموت، الإعدام، الفغص، السحق، الحرق، الإبادة، التفتيت، التقطيع.. الخ أصبح هذا الذي اخترتَه، أقرب إلي أحدنا في #غزة من شراك نعله.. وبلا وداعٍ أخير، وعلى جوعٍ وقهرٍ وعطشٍ.
اللهم صبرًا واحتسابًا.
BY مجدي المغربي - فلسطين - قطاع غزة
Warning: Undefined variable $i in /var/www/group-telegram/post.php on line 260
The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel. He said that since his platform does not have the capacity to check all channels, it may restrict some in Russia and Ukraine "for the duration of the conflict," but then reversed course hours later after many users complained that Telegram was an important source of information. So, uh, whenever I hear about Telegram, it’s always in relation to something bad. What gives? The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. Meanwhile, a completely redesigned attachment menu appears when sending multiple photos or vides. Users can tap "X selected" (X being the number of items) at the top of the panel to preview how the album will look in the chat when it's sent, as well as rearrange or remove selected media.
from es
