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ещё книжки за 2024: Кошта, Любич, Протазанов, Мамулян, фр. вестерны, квебекцы, зрение машин etc.

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1. Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship — Daniel Chávez Heras

2. The Archival Afterlives of Philippine Cinema — Bliss Cua Lim

3. Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 — Michael Slowik

4. Film Figures: An Organological Approach — Warwick Mules

5. French Westerns: On the Frontier of Film Genre and French Cinema — Timothy Scheie

6. Interactive Cinema: The Ambiguous Ethics of Media Participation — Marina Hassapopoulou

7. New Approaches to Ernst Lubitsch: A Light Touch — Brigitte Peucker, Ido Lewit

8. Playful Frames: Styles of Widescreen Cinema — Steven Rybin

9. Quebec Cinema in the 21st Century — Michael Gott, Thibaut Schilt

10. The Cinema of Yakov Protazanov — F. Booth Wilson

11. The Political Gesture in Pedro Costa’s Films — Patrícia Sequeira Brás

12. The Traces of Jacques Derrida's Cinema — Timothy Holland



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ещё книжки за 2024: Кошта, Любич, Протазанов, Мамулян, фр. вестерны, квебекцы, зрение машин etc.

папка с pdf

1. Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship — Daniel Chávez Heras

2. The Archival Afterlives of Philippine Cinema — Bliss Cua Lim

3. Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 — Michael Slowik

4. Film Figures: An Organological Approach — Warwick Mules

5. French Westerns: On the Frontier of Film Genre and French Cinema — Timothy Scheie

6. Interactive Cinema: The Ambiguous Ethics of Media Participation — Marina Hassapopoulou

7. New Approaches to Ernst Lubitsch: A Light Touch — Brigitte Peucker, Ido Lewit

8. Playful Frames: Styles of Widescreen Cinema — Steven Rybin

9. Quebec Cinema in the 21st Century — Michael Gott, Thibaut Schilt

10. The Cinema of Yakov Protazanov — F. Booth Wilson

11. The Political Gesture in Pedro Costa’s Films — Patrícia Sequeira Brás

12. The Traces of Jacques Derrida's Cinema — Timothy Holland

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"This time we received the coordinates of enemy vehicles marked 'V' in Kyiv region," it added. "And that set off kind of a battle royale for control of the platform that Durov eventually lost," said Nathalie Maréchal of the Washington advocacy group Ranking Digital Rights. Just days after Russia invaded Ukraine, Durov wrote that Telegram was "increasingly becoming a source of unverified information," and he worried about the app being used to "incite ethnic hatred." Telegram was co-founded by Pavel and Nikolai Durov, the brothers who had previously created VKontakte. VK is Russia’s equivalent of Facebook, a social network used for public and private messaging, audio and video sharing as well as online gaming. In January, SimpleWeb reported that VK was Russia’s fourth most-visited website, after Yandex, YouTube and Google’s Russian-language homepage. In 2016, Forbes’ Michael Solomon described Pavel Durov (pictured, below) as the “Mark Zuckerberg of Russia.” You may recall that, back when Facebook started changing WhatsApp’s terms of service, a number of news outlets reported on, and even recommended, switching to Telegram. Pavel Durov even said that users should delete WhatsApp “unless you are cool with all of your photos and messages becoming public one day.” But Telegram can’t be described as a more-secure version of WhatsApp.
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