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в галерее la fab., прямо напротив bnf и соответствующего mk2, сейчас идет небольшая выставка фотографий йонаса мекаса — вернее, фреймов его кинопленок (если честно, я теряюсь, какой термин тут корректнее употребить. la fab. пишут photogrammes). там же у agnes b., в тогда еще просто galerie du jour в 1996 году, он впервые показал эти кадры в таком статичном увеличенном формате. вот милая цитата из каталога :

These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.

I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.



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в галерее la fab., прямо напротив bnf и соответствующего mk2, сейчас идет небольшая выставка фотографий йонаса мекаса — вернее, фреймов его кинопленок (если честно, я теряюсь, какой термин тут корректнее употребить. la fab. пишут photogrammes). там же у agnes b., в тогда еще просто galerie du jour в 1996 году, он впервые показал эти кадры в таком статичном увеличенном формате. вот милая цитата из каталога :

These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.

I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.

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Telegram Messenger Blocks Navalny Bot During Russian Election What distinguishes the app from competitors is its use of what's known as channels: Public or private feeds of photos and videos that can be set up by one person or an organization. The channels have become popular with on-the-ground journalists, aid workers and Ukrainian President Volodymyr Zelenskyy, who broadcasts on a Telegram channel. The channels can be followed by an unlimited number of people. Unlike Facebook, Twitter and other popular social networks, there is no advertising on Telegram and the flow of information is not driven by an algorithm. Telegram was founded in 2013 by two Russian brothers, Nikolai and Pavel Durov. On February 27th, Durov posted that Channels were becoming a source of unverified information and that the company lacks the ability to check on their veracity. He urged users to be mistrustful of the things shared on Channels, and initially threatened to block the feature in the countries involved for the length of the war, saying that he didn’t want Telegram to be used to aggravate conflict or incite ethnic hatred. He did, however, walk back this plan when it became clear that they had also become a vital communications tool for Ukrainian officials and citizens to help coordinate their resistance and evacuations. Under the Sebi Act, the regulator has the power to carry out search and seizure of books, registers, documents including electronics and digital devices from any person associated with the securities market.
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