The second episode of Ready-to-Wear, the aairs duo’s contribution to our series, interweaves two points of departure.
The first of these is The Detroit Escalator Company’s track “Gathering Memory”, which begins with an in-situ recording of a directional instruction given to a woman who seems to have lost her way in Detroit.
The second is the opening of “Mammame” by Jean-Claude Gallota and Serge Houpin, a modern ballet that, like an alternative to a Samuel Beckett drama, begins with the fall of a man.
The second episode of Ready-to-Wear, the aairs duo’s contribution to our series, interweaves two points of departure.
The first of these is The Detroit Escalator Company’s track “Gathering Memory”, which begins with an in-situ recording of a directional instruction given to a woman who seems to have lost her way in Detroit.
The second is the opening of “Mammame” by Jean-Claude Gallota and Serge Houpin, a modern ballet that, like an alternative to a Samuel Beckett drama, begins with the fall of a man.
Soloviev also promoted the channel in a post he shared on his own Telegram, which has 580,000 followers. The post recommended his viewers subscribe to "War on Fakes" in a time of fake news. As the war in Ukraine rages, the messaging app Telegram has emerged as the go-to place for unfiltered live war updates for both Ukrainian refugees and increasingly isolated Russians alike. Andrey, a Russian entrepreneur living in Brazil who, fearing retaliation, asked that NPR not use his last name, said Telegram has become one of the few places Russians can access independent news about the war. He said that since his platform does not have the capacity to check all channels, it may restrict some in Russia and Ukraine "for the duration of the conflict," but then reversed course hours later after many users complained that Telegram was an important source of information.
from hk
