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August 10 | MONUMENTOMANIA: how memorials make war possible

In May I released an immersive experience on the critical theory of war monuments; MONUMENTOMANIA will premiere for an English-subtitles-reading audience on 10 August.

trailer and in-game trailer

War is possible in a society where it seems acceptable or natural, and war monuments — statues, memorials and even churches — play a huge role in the desensitisation to war and overt militarisation of societies. There's not much discussion about this because monuments seem to be just stones, but in fact they shape and direct collective memory, influence collective identity and in many ways determine the values of societies. Today, state policies on memorials around the world glorify war, presenting it as inevitable and unavoidable.

This is a project about how monuments shape places of memory, telling people how and what to remember and what example to follow; how power derives legitimacy from monuments and what the cult of glory has to do with it; how monuments influence our emotions and values by investing in the militarisation of societies; how monumentality compromised itself in the 20th century and what is replacing it; whether monuments can do the work of remembering for us and whether people really need to remember as much as monumental culture forces us to.

🎟 Aug 10, 21:00 (UTC+2, Paris local time)
https://wartime.space/mnmnt/en
https://wartime.space/mnmnt/en
https://wartime.space/mnmnt/en

10 августа премьера МОНУМЕНТОМАНИИ с субтитрами на английском и русском языках; пожалуйста, поделитесь этим постом или постом в инсте с теми, кому это может быть интересно; у меня из англоязычной аудитории только итальянцы из тиндера; и приходите, кто ещё не видел, это если не последний, то предпоследний раз, когда я показываю этот проект.

спасибо и ура 🙏🫥



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August 10 | MONUMENTOMANIA: how memorials make war possible

In May I released an immersive experience on the critical theory of war monuments; MONUMENTOMANIA will premiere for an English-subtitles-reading audience on 10 August.

trailer and in-game trailer

War is possible in a society where it seems acceptable or natural, and war monuments — statues, memorials and even churches — play a huge role in the desensitisation to war and overt militarisation of societies. There's not much discussion about this because monuments seem to be just stones, but in fact they shape and direct collective memory, influence collective identity and in many ways determine the values of societies. Today, state policies on memorials around the world glorify war, presenting it as inevitable and unavoidable.

This is a project about how monuments shape places of memory, telling people how and what to remember and what example to follow; how power derives legitimacy from monuments and what the cult of glory has to do with it; how monuments influence our emotions and values by investing in the militarisation of societies; how monumentality compromised itself in the 20th century and what is replacing it; whether monuments can do the work of remembering for us and whether people really need to remember as much as monumental culture forces us to.

🎟 Aug 10, 21:00 (UTC+2, Paris local time)
https://wartime.space/mnmnt/en
https://wartime.space/mnmnt/en
https://wartime.space/mnmnt/en

10 августа премьера МОНУМЕНТОМАНИИ с субтитрами на английском и русском языках; пожалуйста, поделитесь этим постом или постом в инсте с теми, кому это может быть интересно; у меня из англоязычной аудитории только итальянцы из тиндера; и приходите, кто ещё не видел, это если не последний, то предпоследний раз, когда я показываю этот проект.

спасибо и ура 🙏🫥

BY вилисов




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The perpetrators use various names to carry out the investment scams. They may also impersonate or clone licensed capital market intermediaries by using the names, logos, credentials, websites and other details of the legitimate entities to promote the illegal schemes. Investors took profits on Friday while they could ahead of the weekend, explained Tom Essaye, founder of Sevens Report Research. Saturday and Sunday could easily bring unfortunate news on the war front—and traders would rather be able to sell any recent winnings at Friday’s earlier prices than wait for a potentially lower price at Monday’s open. In the United States, Telegram's lower public profile has helped it mostly avoid high level scrutiny from Congress, but it has not gone unnoticed. At the start of 2018, the company attempted to launch an Initial Coin Offering (ICO) which would enable it to enable payments (and earn the cash that comes from doing so). The initial signals were promising, especially given Telegram’s user base is already fairly crypto-savvy. It raised an initial tranche of cash – worth more than a billion dollars – to help develop the coin before opening sales to the public. Unfortunately, third-party sales of coins bought in those initial fundraising rounds raised the ire of the SEC, which brought the hammer down on the whole operation. In 2020, officials ordered Telegram to pay a fine of $18.5 million and hand back much of the cash that it had raised. The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel.
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