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Новая работа Элины Сибгатуллиной - клип juna - iyun - будет показана на Большом фестивале мультфильмов, но и в интернете она также уже доступна.

Песня группы Juna создана на стих Роберта Ахметзянова, в котором говорится о начале июня, цветении и влюбленности.

Поэзия, музыка и анимация отлично дополняют друг друга.



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Новая работа Элины Сибгатуллиной - клип juna - iyun - будет показана на Большом фестивале мультфильмов, но и в интернете она также уже доступна.

Песня группы Juna создана на стих Роберта Ахметзянова, в котором говорится о начале июня, цветении и влюбленности.

Поэзия, музыка и анимация отлично дополняют друг друга.

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This ability to mix the public and the private, as well as the ability to use bots to engage with users has proved to be problematic. In early 2021, a database selling phone numbers pulled from Facebook was selling numbers for $20 per lookup. Similarly, security researchers found a network of deepfake bots on the platform that were generating images of people submitted by users to create non-consensual imagery, some of which involved children. The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel. The next bit isn’t clear, but Durov reportedly claimed that his resignation, dated March 21st, was an April Fools’ prank. TechCrunch implies that it was a matter of principle, but it’s hard to be clear on the wheres, whos and whys. Similarly, on April 17th, the Moscow Times quoted Durov as saying that he quit the company after being pressured to reveal account details about Ukrainians protesting the then-president Viktor Yanukovych. So, uh, whenever I hear about Telegram, it’s always in relation to something bad. What gives? Emerson Brooking, a disinformation expert at the Atlantic Council's Digital Forensic Research Lab, said: "Back in the Wild West period of content moderation, like 2014 or 2015, maybe they could have gotten away with it, but it stands in marked contrast with how other companies run themselves today."
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