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SECRET INSTRUMENTS OF ANTHROPOGENIC EXPOSURE

1. HELLO DERPIES!

twenty years old money of love, those unknown for parents,
in spanish it's 'molars', in japanese it's 'the face of orgasming masonry',
in our language it's the maturity, hidden like a stash.
god if we could escape outta here
into the non-breaking spaces, into the breaking of readers' expectations, into the
big tiddy anime girl at least,
why do i need such a massive, such a noticeable, such a subservient body
if just a stock picture in a metal detector frame at the entrance to the subway would be enough

2. HELLO DUMBASSES!

the last judgment will never end. i'll continue to charge myself:
why the hell didn't you clean up the dust, didn't mop the floor with citric
acid, didn't sprout on the wall like a venetian ivy, didn't
color eastern eggs in periwinkle blue. i doubt that
angels had ever tried to keep up with beauty routine according
to the handbook of a hardcore femcel, i doubt that they had
ever reached the ceiling with their nails – –

you can literally recapture freedom for yourself. some lesbians are
constantly beating the shit out of the police. it's about time to introduce the police,
the vice police, the police for our vices. everyone who wasn't
thoughtful of their or somebody else's gender for a second, will be told by
the background fairy: your stuff is on the street

3. HELLO DOVES...

i don't trust organic matters. i will be
inorganic, stilled with extasy from your soft hair's touch,
which i'm not gonna stop to feel all the four hundred years of my decay

i'm curious if Brezhnev and Honecker felt pleasure when they kissed,
what will the climbing frame of the berlin wall tell about it,
the only survivor of that threesome

orgy is a pledge of saving
at least someone from this messy pileup

the last that won't be taken either by putin or musk or neural networks:
tying knots by heart, the knots of the most fingery, the most meaty,
the most infinite delight of connection.

Екатерина Вахрамеева.
Перевод с русского Максима Дрёмова.

www.group-telegram.com/it/schreibenerweitern.com/284

865 viewsNov 6 at 19:36

SECRET INSTRUMENTS OF ANTHROPOGENIC EXPOSURE

1. HELLO DERPIES!

twenty years old money of love, those unknown for parents,
in spanish it's 'molars', in japanese it's 'the face of orgasming masonry',
in our language it's the maturity, hidden like a stash.
god if we could escape outta here
into the non-breaking spaces, into the breaking of readers' expectations, into the
big tiddy anime girl at least,
why do i need such a massive, such a noticeable, such a subservient body
if just a stock picture in a metal detector frame at the entrance to the subway would be enough

2. HELLO DUMBASSES!

the last judgment will never end. i'll continue to charge myself:
why the hell didn't you clean up the dust, didn't mop the floor with citric
acid, didn't sprout on the wall like a venetian ivy, didn't
color eastern eggs in periwinkle blue. i doubt that
angels had ever tried to keep up with beauty routine according
to the handbook of a hardcore femcel, i doubt that they had
ever reached the ceiling with their nails – –

you can literally recapture freedom for yourself. some lesbians are
constantly beating the shit out of the police. it's about time to introduce the police,
the vice police, the police for our vices. everyone who wasn't
thoughtful of their or somebody else's gender for a second, will be told by
the background fairy: your stuff is on the street

3. HELLO DOVES...

i don't trust organic matters. i will be
inorganic, stilled with extasy from your soft hair's touch,
which i'm not gonna stop to feel all the four hundred years of my decay

i'm curious if Brezhnev and Honecker felt pleasure when they kissed,
what will the climbing frame of the berlin wall tell about it,
the only survivor of that threesome

orgy is a pledge of saving
at least someone from this messy pileup

the last that won't be taken either by putin or musk or neural networks:
tying knots by heart, the knots of the most fingery, the most meaty,
the most infinite delight of connection.

Екатерина Вахрамеева.
Перевод с русского Максима Дрёмова.

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