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Вестник киноведа | Telegram Webview: vestnik_kinoveda/204 -
Telegram Group & Telegram Channel
International Program
Leisure, Utopic, Beatrice Gibson, 2024
We, Artavazd Péléchian, 1969
Le Bateau de l’exil, Jocelyne Saab, 1982
A Fidai Film, Kamal Aljafari, 2024
Atman, Toshio Matsumoto, 1975
Two Refusals (Would We Recognize Ourselves Unbroken?), Suneil Sanzgiri, 2024
Hostage: The Bachar Tapes (English Version), Walid Raad, 2001
Nazarbazi, Maryam Tafakory, 2022
Countdown, Akram Zaatari, 1995
Un Âne, Eitan Efrat and Sirah Foighel Brutmann, 2023
Jelena, Friedl vom Gröller (Kubelka), 2024
Sunflower Siege Engine, Sky Hopinka, 2022
They Do Not Exist, Mustafa Abu Ali, 1974
Poppies and Sailboats, Rose Lowder, 2001
Evil.5: Grin and Bear (No Responsibility Mix), Tony Cokes, 2006
The Motherfucker’s Birthday, Saif Alsaegh, 2024
O, Persecuted, Basma Alsharif, 2014
Camera Test, Siegfried Fruhauf, 2022
Potenciais à deriva, Leonardo Pirondi, 2024
The Crack-Up, Jonathan Schwartz, 2017
It Is Night in America, Ana Vaz, 2022
Bouquets 31–40, Rose Lowder, 2015–2022
The Soldier’s Lagoon, Pablo Álvarez-Mesa, 2024
Bisagras, Luis Arnías, 2024
Bloom, Helena Girón and Samuel M. Delgado, 2023
Terminal Island, Sam Drake, 2024
Go Between, Chris Kennedy, 2024
Down Wind, Pat O’Neill, 1973
After Work, Céline Condorelli and Ben Rivers, 2022
To Brasil, Ute Aurand, 2023
Podwórka, Sharon Lockhart, 2009
Shokouk, Rouzbeh Akhbari and Felix Kalmenson, 2023
A Black Screen Too, Rhayne Vermette, 2024
Refuse Room, Simon Liu, 2024
On the Battlefield, Little Egypt Collective, 2024
The Winged Stone, Colectivo los Ingrávidos, 2023
West Lounge, Kevin Jerome Everson, 2023
Bounded Intimacy, Ayanna Dozier, 2024
Repetitions, Morgan Quaintance, 2022
Cultural Nationalism, Skip Norman, 1969
Quiet as It’s Kept, Ja’Tovia Gary, 2023
A Stone’s Throw, Razan AlSalah, 2024
The Diary of a Sky, Lawrence Abu Hamdan, 2024
The Time that Separates Us, Parastoo Anoushahpour, 2022
Inextinguishable Fire, Harun Farocki, 1969
Last Things, Deborah Stratman, 2023

Spotlight Artists:
An Ecstatic Experience, Ja’Tovia Gary, USA, 16mm > digital, 6 min, 2015
he Giverny Document, Ja’Tovia Gary, USA, S16mm > digital, 41 min, 2019

Manzanas, Narcisa Hirsch, Argentina, 16mm > digital, 4.5 min, 1969
A-Dios, Narcisa Hirsch, Argentina, 16mm > digital , 25 min, 1984

Beyrouth jamais plus, Jocelyne Saab, Lebanon/France, 16mm > digital, 37 min, 1976
Pour quelques vies, Jocelyne Saab, Lebanon/France , 16mm > digital, 18 min, 1976

Eyes Skinned, Mona Hatoum, Palestine/England, digital, 4 min, 1988
Measures of Distance, Mona Hatoum, Palestine/England, digital, 15.5 min, 1988

b/w, Christopher Harris, USA, 16mm > digital, 15 min, 2024
still/here, Christopher Harris, USA, 2001

Too Bright to See, Madeleine Hunt-Ehrlich, USA, 16mm > digital, 27.5 min, 2023
Footnote to the West, Madeleine Hunt-Ehrlich, USA , digital, 5 min, 2020

The Secret Garden, Nour Ouayda, Canada/Lebanon, 16mm > digital, 27 min, 2023
Towards the Sun, Nour Ouayda, Canada/Lebanon, 16mm > digital, 17 min, 2019

Hands Tied, Richard Serra, USA, 16mm > digital, 6 min, 1968
Railroad Turnbridge, Richard Serra USA , 16mm > digital, 17.5 min, 1976

Regional Program
Film in which a hand moves almost blindly across a canvas, Nik Liguori, 2024
Driving Force, Joanie Wind, 2023
Freshwater, dream hampton, 2022
phantoms, Scott Northrup, 2024
evidence, Trinity Sutherland, 2023
The Tiger, Shanna Maurizi, 2024
Mourner’s Bench, bree gant, 2022
Letter from Blackhawk Island, Derek Jenkins, 2024
We Are We Come We Go, Ed Janzen, 2023
Civil War Surveillance Poems (Part 1), Mitch McCabe, 2020
If I Was a Poem, Katie Barkel, 2024



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International Program
Leisure, Utopic, Beatrice Gibson, 2024
We, Artavazd Péléchian, 1969
Le Bateau de l’exil, Jocelyne Saab, 1982
A Fidai Film, Kamal Aljafari, 2024
Atman, Toshio Matsumoto, 1975
Two Refusals (Would We Recognize Ourselves Unbroken?), Suneil Sanzgiri, 2024
Hostage: The Bachar Tapes (English Version), Walid Raad, 2001
Nazarbazi, Maryam Tafakory, 2022
Countdown, Akram Zaatari, 1995
Un Âne, Eitan Efrat and Sirah Foighel Brutmann, 2023
Jelena, Friedl vom Gröller (Kubelka), 2024
Sunflower Siege Engine, Sky Hopinka, 2022
They Do Not Exist, Mustafa Abu Ali, 1974
Poppies and Sailboats, Rose Lowder, 2001
Evil.5: Grin and Bear (No Responsibility Mix), Tony Cokes, 2006
The Motherfucker’s Birthday, Saif Alsaegh, 2024
O, Persecuted, Basma Alsharif, 2014
Camera Test, Siegfried Fruhauf, 2022
Potenciais à deriva, Leonardo Pirondi, 2024
The Crack-Up, Jonathan Schwartz, 2017
It Is Night in America, Ana Vaz, 2022
Bouquets 31–40, Rose Lowder, 2015–2022
The Soldier’s Lagoon, Pablo Álvarez-Mesa, 2024
Bisagras, Luis Arnías, 2024
Bloom, Helena Girón and Samuel M. Delgado, 2023
Terminal Island, Sam Drake, 2024
Go Between, Chris Kennedy, 2024
Down Wind, Pat O’Neill, 1973
After Work, Céline Condorelli and Ben Rivers, 2022
To Brasil, Ute Aurand, 2023
Podwórka, Sharon Lockhart, 2009
Shokouk, Rouzbeh Akhbari and Felix Kalmenson, 2023
A Black Screen Too, Rhayne Vermette, 2024
Refuse Room, Simon Liu, 2024
On the Battlefield, Little Egypt Collective, 2024
The Winged Stone, Colectivo los Ingrávidos, 2023
West Lounge, Kevin Jerome Everson, 2023
Bounded Intimacy, Ayanna Dozier, 2024
Repetitions, Morgan Quaintance, 2022
Cultural Nationalism, Skip Norman, 1969
Quiet as It’s Kept, Ja’Tovia Gary, 2023
A Stone’s Throw, Razan AlSalah, 2024
The Diary of a Sky, Lawrence Abu Hamdan, 2024
The Time that Separates Us, Parastoo Anoushahpour, 2022
Inextinguishable Fire, Harun Farocki, 1969
Last Things, Deborah Stratman, 2023

Spotlight Artists:
An Ecstatic Experience, Ja’Tovia Gary, USA, 16mm > digital, 6 min, 2015
he Giverny Document, Ja’Tovia Gary, USA, S16mm > digital, 41 min, 2019

Manzanas, Narcisa Hirsch, Argentina, 16mm > digital, 4.5 min, 1969
A-Dios, Narcisa Hirsch, Argentina, 16mm > digital , 25 min, 1984

Beyrouth jamais plus, Jocelyne Saab, Lebanon/France, 16mm > digital, 37 min, 1976
Pour quelques vies, Jocelyne Saab, Lebanon/France , 16mm > digital, 18 min, 1976

Eyes Skinned, Mona Hatoum, Palestine/England, digital, 4 min, 1988
Measures of Distance, Mona Hatoum, Palestine/England, digital, 15.5 min, 1988

b/w, Christopher Harris, USA, 16mm > digital, 15 min, 2024
still/here, Christopher Harris, USA, 2001

Too Bright to See, Madeleine Hunt-Ehrlich, USA, 16mm > digital, 27.5 min, 2023
Footnote to the West, Madeleine Hunt-Ehrlich, USA , digital, 5 min, 2020

The Secret Garden, Nour Ouayda, Canada/Lebanon, 16mm > digital, 27 min, 2023
Towards the Sun, Nour Ouayda, Canada/Lebanon, 16mm > digital, 17 min, 2019

Hands Tied, Richard Serra, USA, 16mm > digital, 6 min, 1968
Railroad Turnbridge, Richard Serra USA , 16mm > digital, 17.5 min, 1976

Regional Program
Film in which a hand moves almost blindly across a canvas, Nik Liguori, 2024
Driving Force, Joanie Wind, 2023
Freshwater, dream hampton, 2022
phantoms, Scott Northrup, 2024
evidence, Trinity Sutherland, 2023
The Tiger, Shanna Maurizi, 2024
Mourner’s Bench, bree gant, 2022
Letter from Blackhawk Island, Derek Jenkins, 2024
We Are We Come We Go, Ed Janzen, 2023
Civil War Surveillance Poems (Part 1), Mitch McCabe, 2020
If I Was a Poem, Katie Barkel, 2024

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The next bit isn’t clear, but Durov reportedly claimed that his resignation, dated March 21st, was an April Fools’ prank. TechCrunch implies that it was a matter of principle, but it’s hard to be clear on the wheres, whos and whys. Similarly, on April 17th, the Moscow Times quoted Durov as saying that he quit the company after being pressured to reveal account details about Ukrainians protesting the then-president Viktor Yanukovych. "There is a significant risk of insider threat or hacking of Telegram systems that could expose all of these chats to the Russian government," said Eva Galperin with the Electronic Frontier Foundation, which has called for Telegram to improve its privacy practices. Investors took profits on Friday while they could ahead of the weekend, explained Tom Essaye, founder of Sevens Report Research. Saturday and Sunday could easily bring unfortunate news on the war front—and traders would rather be able to sell any recent winnings at Friday’s earlier prices than wait for a potentially lower price at Monday’s open. Since January 2022, the SC has received a total of 47 complaints and enquiries on illegal investment schemes promoted through Telegram. These fraudulent schemes offer non-existent investment opportunities, promising very attractive and risk-free returns within a short span of time. They commonly offer unrealistic returns of as high as 1,000% within 24 hours or even within a few hours. "Someone posing as a Ukrainian citizen just joins the chat and starts spreading misinformation, or gathers data, like the location of shelters," Tsekhanovska said, noting how false messages have urged Ukrainians to turn off their phones at a specific time of night, citing cybersafety.
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