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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon

www.group-telegram.com/jp/artintensity.com/2312

154 viewsOct 12 at 15:55

group-telegram.com/artintensity/2313

Create: 2024-10-12
Last Update: 2024-10-15 17:14:31

Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon

BY artintensity

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Date: 2024-10-15|

For Oleksandra Tsekhanovska, head of the Hybrid Warfare Analytical Group at the Kyiv-based Ukraine Crisis Media Center, the effects are both near- and far-reaching. On February 27th, Durov posted that Channels were becoming a source of unverified information and that the company lacks the ability to check on their veracity. He urged users to be mistrustful of the things shared on Channels, and initially threatened to block the feature in the countries involved for the length of the war, saying that he didn’t want Telegram to be used to aggravate conflict or incite ethnic hatred. He did, however, walk back this plan when it became clear that they had also become a vital communications tool for Ukrainian officials and citizens to help coordinate their resistance and evacuations. On Feb. 27, however, he admitted from his Russian-language account that "Telegram channels are increasingly becoming a source of unverified information related to Ukrainian events." Following this, Sebi, in an order passed in January 2022, established that the administrators of a Telegram channel having a large subscriber base enticed the subscribers to act upon recommendations that were circulated by those administrators on the channel, leading to significant price and volume impact in various scrips. Multiple pro-Kremlin media figures circulated the post's false claims, including prominent Russian journalist Vladimir Soloviev and the state-controlled Russian outlet RT, according to the DFR Lab's report.
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