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Книга |"12 Стульев" ч.01, Ильф, Петров | Семён Уралов
Ильф и Петров, "Двенадцать стульев" с комментариями

часть 1| 2|...

О книге

0:00:29 "Вагриус", 1997г
0:01:01 Метод разбора
0:01:17 Предисловие
Советское коллективн.творчество
• Журналист ИА Фа́йнзильберг (Ильф)
• Сотрудник одесского УгРо ЕП Катаев (Петров)
• ВП Катаев (брат)
0:04:08 Идея, план и черн.вариант
1 часть, соавторство
Публикация в "30 дней"
0:05:50 Решение о публикации
0:06:44 Содействие в выходе
0:08:45 Продюсеры. Маркетинг
0:10:23 "Продюсерский центр"
0:12:22 Забытый аспект
0:13:37 Текстология
0:14:27 Эталон 1938г
0:16:29 2-е, 3-е изд.
0:18:42 Полит.контекст
0:20:00 Советские литературоведы
0:21:21 Шанхай и партдиректива
0:23:29 Политконъюктура
0:24:55 Редакторские принципы

Часть первая

0:25:25 СТАРГОРОДСКИЙ ЛЕВ
0:25:48 Глава 1. Безенчук и нимфы
Уездный город N. Районирование СССР
0:32:54 Милюков
Моды и фасоны
0:38:21 Цацки
0:42:00 Воробьянинский соц.статус
0:47:50 Паспорта
0:51:47 Переписчик Сапежников
0:54:38 Драманж
0:59:30 Глазет
1:01:33 Отец Фёдор
1:03:17 Завершение

Книги ВЧ | НЭП



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Ильф и Петров, "Двенадцать стульев" с комментариями

часть 1| 2|...

О книге

0:00:29 "Вагриус", 1997г
0:01:01 Метод разбора
0:01:17 Предисловие
Советское коллективн.творчество
• Журналист ИА Фа́йнзильберг (Ильф)
• Сотрудник одесского УгРо ЕП Катаев (Петров)
• ВП Катаев (брат)
0:04:08 Идея, план и черн.вариант
1 часть, соавторство
Публикация в "30 дней"
0:05:50 Решение о публикации
0:06:44 Содействие в выходе
0:08:45 Продюсеры. Маркетинг
0:10:23 "Продюсерский центр"
0:12:22 Забытый аспект
0:13:37 Текстология
0:14:27 Эталон 1938г
0:16:29 2-е, 3-е изд.
0:18:42 Полит.контекст
0:20:00 Советские литературоведы
0:21:21 Шанхай и партдиректива
0:23:29 Политконъюктура
0:24:55 Редакторские принципы

Часть первая

0:25:25 СТАРГОРОДСКИЙ ЛЕВ
0:25:48 Глава 1. Безенчук и нимфы
Уездный город N. Районирование СССР
0:32:54 Милюков
Моды и фасоны
0:38:21 Цацки
0:42:00 Воробьянинский соц.статус
0:47:50 Паспорта
0:51:47 Переписчик Сапежников
0:54:38 Драманж
0:59:30 Глазет
1:01:33 Отец Фёдор
1:03:17 Завершение

Книги ВЧ | НЭП

BY Семен Уралов


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Since its launch in 2013, Telegram has grown from a simple messaging app to a broadcast network. Its user base isn’t as vast as WhatsApp’s, and its broadcast platform is a fraction the size of Twitter, but it’s nonetheless showing its use. While Telegram has been embroiled in controversy for much of its life, it has become a vital source of communication during the invasion of Ukraine. But, if all of this is new to you, let us explain, dear friends, what on Earth a Telegram is meant to be, and why you should, or should not, need to care. At its heart, Telegram is little more than a messaging app like WhatsApp or Signal. But it also offers open channels that enable a single user, or a group of users, to communicate with large numbers in a method similar to a Twitter account. This has proven to be both a blessing and a curse for Telegram and its users, since these channels can be used for both good and ill. Right now, as Wired reports, the app is a key way for Ukrainians to receive updates from the government during the invasion. The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. "For Telegram, accountability has always been a problem, which is why it was so popular even before the full-scale war with far-right extremists and terrorists from all over the world," she told AFP from her safe house outside the Ukrainian capital. Telegram boasts 500 million users, who share information individually and in groups in relative security. But Telegram's use as a one-way broadcast channel — which followers can join but not reply to — means content from inauthentic accounts can easily reach large, captive and eager audiences.
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