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в галерее la fab., прямо напротив bnf и соответствующего mk2, сейчас идет небольшая выставка фотографий йонаса мекаса — вернее, фреймов его кинопленок (если честно, я теряюсь, какой термин тут корректнее употребить. la fab. пишут photogrammes). там же у agnes b., в тогда еще просто galerie du jour в 1996 году, он впервые показал эти кадры в таком статичном увеличенном формате. вот милая цитата из каталога :

These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.

I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.



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в галерее la fab., прямо напротив bnf и соответствующего mk2, сейчас идет небольшая выставка фотографий йонаса мекаса — вернее, фреймов его кинопленок (если честно, я теряюсь, какой термин тут корректнее употребить. la fab. пишут photogrammes). там же у agnes b., в тогда еще просто galerie du jour в 1996 году, он впервые показал эти кадры в таком статичном увеличенном формате. вот милая цитата из каталога :

These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.

I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.

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Oh no. There’s a certain degree of myth-making around what exactly went on, so take everything that follows lightly. Telegram was originally launched as a side project by the Durov brothers, with Nikolai handling the coding and Pavel as CEO, while both were at VK. The gold standard of encryption, known as end-to-end encryption, where only the sender and person who receives the message are able to see it, is available on Telegram only when the Secret Chat function is enabled. Voice and video calls are also completely encrypted. But Telegram says people want to keep their chat history when they get a new phone, and they like having a data backup that will sync their chats across multiple devices. And that is why they let people choose whether they want their messages to be encrypted or not. When not turned on, though, chats are stored on Telegram's services, which are scattered throughout the world. But it has "disclosed 0 bytes of user data to third parties, including governments," Telegram states on its website. Some privacy experts say Telegram is not secure enough Telegram, which does little policing of its content, has also became a hub for Russian propaganda and misinformation. Many pro-Kremlin channels have become popular, alongside accounts of journalists and other independent observers.
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