За этой пророческой вазой, впервые продемонстрированной 23 февраля 1944 г., последовало еще множество произведений, в том числе скульптура «Сокол», получившая «Гран-при» на выставке в Брюсселе 1958 года и известная нам всем по клейму Дулевского фарфорового завода. Но мы сегодня хотим показать вам скульптурные композиции на военную тематику, которые Алексей Георгиевич начал лепить, попав после ранения в госпиталь. Вылепленные в госпитале фигурки он носил с собой в вещмешке, а уже в Дулево отлил в фарфоре. Говорят, что работы Сотникова иногда даже вручались военным вместе с боевыми наградами.
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This vase, which was displayed on February 23rd, 1944, was followed by dozens of other works, including the Falcon that earned Sotnikov the Grand Prix of the 1958 Brussels World’s Fair (this sculpture is familiar to all of us through its graphic representation, which serves as a logo of Dulyovo Porcelain Factory). It seems fitting, however, to show you a series of war-related sculptures that Sotnikov began creating when he was recovering from a wound. He carried his first figurines in his duffel bag and turned them into porcelain miniatures upon his return to Dulyovo. Some of Sotnikov’s sculptures were reportedly presented to military personnel together with combat decorations.
(photos here and above: tsaritsyno-museum.ru, livemaster.ru, goskatalog.ru, Marina Safonova via oms.ru, sov-art.ru)
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This vase, which was displayed on February 23rd, 1944, was followed by dozens of other works, including the Falcon that earned Sotnikov the Grand Prix of the 1958 Brussels World’s Fair (this sculpture is familiar to all of us through its graphic representation, which serves as a logo of Dulyovo Porcelain Factory). It seems fitting, however, to show you a series of war-related sculptures that Sotnikov began creating when he was recovering from a wound. He carried his first figurines in his duffel bag and turned them into porcelain miniatures upon his return to Dulyovo. Some of Sotnikov’s sculptures were reportedly presented to military personnel together with combat decorations.
(photos here and above: tsaritsyno-museum.ru, livemaster.ru, goskatalog.ru, Marina Safonova via oms.ru, sov-art.ru)
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За этой пророческой вазой, впервые продемонстрированной 23 февраля 1944 г., последовало еще множество произведений, в том числе скульптура «Сокол», получившая «Гран-при» на выставке в Брюсселе 1958 года и известная нам всем по клейму Дулевского фарфорового завода. Но мы сегодня хотим показать вам скульптурные композиции на военную тематику, которые Алексей Георгиевич начал лепить, попав после ранения в госпиталь. Вылепленные в госпитале фигурки он носил с собой в вещмешке, а уже в Дулево отлил в фарфоре. Говорят, что работы Сотникова иногда даже вручались военным вместе с боевыми наградами.
———
This vase, which was displayed on February 23rd, 1944, was followed by dozens of other works, including the Falcon that earned Sotnikov the Grand Prix of the 1958 Brussels World’s Fair (this sculpture is familiar to all of us through its graphic representation, which serves as a logo of Dulyovo Porcelain Factory). It seems fitting, however, to show you a series of war-related sculptures that Sotnikov began creating when he was recovering from a wound. He carried his first figurines in his duffel bag and turned them into porcelain miniatures upon his return to Dulyovo. Some of Sotnikov’s sculptures were reportedly presented to military personnel together with combat decorations.
(photos here and above: tsaritsyno-museum.ru, livemaster.ru, goskatalog.ru, Marina Safonova via oms.ru, sov-art.ru)
———
This vase, which was displayed on February 23rd, 1944, was followed by dozens of other works, including the Falcon that earned Sotnikov the Grand Prix of the 1958 Brussels World’s Fair (this sculpture is familiar to all of us through its graphic representation, which serves as a logo of Dulyovo Porcelain Factory). It seems fitting, however, to show you a series of war-related sculptures that Sotnikov began creating when he was recovering from a wound. He carried his first figurines in his duffel bag and turned them into porcelain miniatures upon his return to Dulyovo. Some of Sotnikov’s sculptures were reportedly presented to military personnel together with combat decorations.
(photos here and above: tsaritsyno-museum.ru, livemaster.ru, goskatalog.ru, Marina Safonova via oms.ru, sov-art.ru)
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