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Первый фестиваль видео-арта Videobrasil прошел в 1983 году в Музее изображения и звука (MIS) в Сан-Паулу. С момента основания он эволюционировал в международную творческую платформу и постепенно собрал обширную коллекцию художественных работ, публикаций, документов, интервью, записей перформансов и других материалов.

Делимся редкими архивными кадрами фестиваля Videobrasil и предлагаем изучить четыре десятилетия развития мирового видео-арта в нашем выставочном проекте.

Информационный партнер выставки — The Blueprint

Фото: Videobrasil Historical Archive

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1983: the first Videobrasil festival of video art takes place in the São Paulo Museum of Image and Sound.

Since, Videobrasil has evolved into a platform and accumulated a massive collection of works, publications, documents, performance recordings, and more. Here, we’re sharing some shots from their archive.

Explore four decades of video art at our collaborative exhibition with Videobrasil, open now at GES-2 House of Culture!

Image: Videobrasil Historical Archive

#ges2exhibition
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Первый фестиваль видео-арта Videobrasil прошел в 1983 году в Музее изображения и звука (MIS) в Сан-Паулу. С момента основания он эволюционировал в международную творческую платформу и постепенно собрал обширную коллекцию художественных работ, публикаций, документов, интервью, записей перформансов и других материалов.

Делимся редкими архивными кадрами фестиваля Videobrasil и предлагаем изучить четыре десятилетия развития мирового видео-арта в нашем выставочном проекте.

Информационный партнер выставки — The Blueprint

Фото: Videobrasil Historical Archive

eng 👇

1983: the first Videobrasil festival of video art takes place in the São Paulo Museum of Image and Sound.

Since, Videobrasil has evolved into a platform and accumulated a massive collection of works, publications, documents, performance recordings, and more. Here, we’re sharing some shots from their archive.

Explore four decades of video art at our collaborative exhibition with Videobrasil, open now at GES-2 House of Culture!

Image: Videobrasil Historical Archive

#ges2exhibition

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At this point, however, Durov had already been working on Telegram with his brother, and further planned a mobile-first social network with an explicit focus on anti-censorship. Later in April, he told TechCrunch that he had left Russia and had “no plans to go back,” saying that the nation was currently “incompatible with internet business at the moment.” He added later that he was looking for a country that matched his libertarian ideals to base his next startup. Right now the digital security needs of Russians and Ukrainians are very different, and they lead to very different caveats about how to mitigate the risks associated with using Telegram. For Ukrainians in Ukraine, whose physical safety is at risk because they are in a war zone, digital security is probably not their highest priority. They may value access to news and communication with their loved ones over making sure that all of their communications are encrypted in such a manner that they are indecipherable to Telegram, its employees, or governments with court orders. These administrators had built substantial positions in these scrips prior to the circulation of recommendations and offloaded their positions subsequent to rise in price of these scrips, making significant profits at the expense of unsuspecting investors, Sebi noted. He floated the idea of restricting the use of Telegram in Ukraine and Russia, a suggestion that was met with fierce opposition from users. Shortly after, Durov backed off the idea. In this regard, Sebi collaborated with the Telecom Regulatory Authority of India (TRAI) to reduce the vulnerability of the securities market to manipulation through misuse of mass communication medium like bulk SMS.
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