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ещё книжки за 2024: Кошта, Любич, Протазанов, Мамулян, фр. вестерны, квебекцы, зрение машин etc.

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1. Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship — Daniel Chávez Heras

2. The Archival Afterlives of Philippine Cinema — Bliss Cua Lim

3. Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 — Michael Slowik

4. Film Figures: An Organological Approach — Warwick Mules

5. French Westerns: On the Frontier of Film Genre and French Cinema — Timothy Scheie

6. Interactive Cinema: The Ambiguous Ethics of Media Participation — Marina Hassapopoulou

7. New Approaches to Ernst Lubitsch: A Light Touch — Brigitte Peucker, Ido Lewit

8. Playful Frames: Styles of Widescreen Cinema — Steven Rybin

9. Quebec Cinema in the 21st Century — Michael Gott, Thibaut Schilt

10. The Cinema of Yakov Protazanov — F. Booth Wilson

11. The Political Gesture in Pedro Costa’s Films — Patrícia Sequeira Brás

12. The Traces of Jacques Derrida's Cinema — Timothy Holland



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ещё книжки за 2024: Кошта, Любич, Протазанов, Мамулян, фр. вестерны, квебекцы, зрение машин etc.

папка с pdf

1. Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship — Daniel Chávez Heras

2. The Archival Afterlives of Philippine Cinema — Bliss Cua Lim

3. Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 — Michael Slowik

4. Film Figures: An Organological Approach — Warwick Mules

5. French Westerns: On the Frontier of Film Genre and French Cinema — Timothy Scheie

6. Interactive Cinema: The Ambiguous Ethics of Media Participation — Marina Hassapopoulou

7. New Approaches to Ernst Lubitsch: A Light Touch — Brigitte Peucker, Ido Lewit

8. Playful Frames: Styles of Widescreen Cinema — Steven Rybin

9. Quebec Cinema in the 21st Century — Michael Gott, Thibaut Schilt

10. The Cinema of Yakov Protazanov — F. Booth Wilson

11. The Political Gesture in Pedro Costa’s Films — Patrícia Sequeira Brás

12. The Traces of Jacques Derrida's Cinema — Timothy Holland

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In a message on his Telegram channel recently recounting the episode, Durov wrote: "I lost my company and my home, but would do it again – without hesitation." "And that set off kind of a battle royale for control of the platform that Durov eventually lost," said Nathalie Maréchal of the Washington advocacy group Ranking Digital Rights. Right now the digital security needs of Russians and Ukrainians are very different, and they lead to very different caveats about how to mitigate the risks associated with using Telegram. For Ukrainians in Ukraine, whose physical safety is at risk because they are in a war zone, digital security is probably not their highest priority. They may value access to news and communication with their loved ones over making sure that all of their communications are encrypted in such a manner that they are indecipherable to Telegram, its employees, or governments with court orders. Telegram was founded in 2013 by two Russian brothers, Nikolai and Pavel Durov. Despite Telegram's origins, its approach to users' security has privacy advocates worried.
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