Мужчина бросил в полицейскую машину «коктейль Молотова» в центре Москвы
Сегодня в 17:00 в центре Москвы, у здания ОВД «Арбат», неизвестный мужчина бросил бутылку с зажигательной смесью под полицейскую машину. По данным «Базы», после инцидента территория была оцеплена. Мужчина был задержан на месте происшествия. Предположительно, он стал жертвой мошенников с Украины.
Мужчина бросил в полицейскую машину «коктейль Молотова» в центре Москвы
Сегодня в 17:00 в центре Москвы, у здания ОВД «Арбат», неизвестный мужчина бросил бутылку с зажигательной смесью под полицейскую машину. По данным «Базы», после инцидента территория была оцеплена. Мужчина был задержан на месте происшествия. Предположительно, он стал жертвой мошенников с Украины.
The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. "There are several million Russians who can lift their head up from propaganda and try to look for other sources, and I'd say that most look for it on Telegram," he said. "Your messages about the movement of the enemy through the official chatbot … bring new trophies every day," the government agency tweeted. Multiple pro-Kremlin media figures circulated the post's false claims, including prominent Russian journalist Vladimir Soloviev and the state-controlled Russian outlet RT, according to the DFR Lab's report. Telegram boasts 500 million users, who share information individually and in groups in relative security. But Telegram's use as a one-way broadcast channel — which followers can join but not reply to — means content from inauthentic accounts can easily reach large, captive and eager audiences.
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