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Первый иноагент заявил о сворачивании работы после принятия закона о полном запрете рекламы у иноагентов. Журналистка-иноагент Катерина Гордеева сообщила о приостановке своего проекта с интервью «Скажи Гордеевой».
«Теперь реклама у нас – преступление», — написала она в telegram-канале. Она заявила, что отснятые выпуски будут опубликованы.
Первый иноагент заявил о сворачивании работы после принятия закона о полном запрете рекламы у иноагентов. Журналистка-иноагент Катерина Гордеева сообщила о приостановке своего проекта с интервью «Скажи Гордеевой».
«Теперь реклама у нас – преступление», — написала она в telegram-канале. Она заявила, что отснятые выпуски будут опубликованы.
Soloviev also promoted the channel in a post he shared on his own Telegram, which has 580,000 followers. The post recommended his viewers subscribe to "War on Fakes" in a time of fake news. At this point, however, Durov had already been working on Telegram with his brother, and further planned a mobile-first social network with an explicit focus on anti-censorship. Later in April, he told TechCrunch that he had left Russia and had “no plans to go back,” saying that the nation was currently “incompatible with internet business at the moment.” He added later that he was looking for a country that matched his libertarian ideals to base his next startup. The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel.
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