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Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques


Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон



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Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques


Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон

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In addition, Telegram's architecture limits the ability to slow the spread of false information: the lack of a central public feed, and the fact that comments are easily disabled in channels, reduce the space for public pushback. For example, WhatsApp restricted the number of times a user could forward something, and developed automated systems that detect and flag objectionable content. To that end, when files are actively downloading, a new icon now appears in the Search bar that users can tap to view and manage downloads, pause and resume all downloads or just individual items, and select one to increase its priority or view it in a chat. Multiple pro-Kremlin media figures circulated the post's false claims, including prominent Russian journalist Vladimir Soloviev and the state-controlled Russian outlet RT, according to the DFR Lab's report. Unlike Silicon Valley giants such as Facebook and Twitter, which run very public anti-disinformation programs, Brooking said: "Telegram is famously lax or absent in its content moderation policy."
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