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Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques


Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон



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Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques


Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон

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Telegram | DID YOU KNOW?

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On Telegram’s website, it says that Pavel Durov “supports Telegram financially and ideologically while Nikolai (Duvov)’s input is technological.” Currently, the Telegram team is based in Dubai, having moved around from Berlin, London and Singapore after departing Russia. Meanwhile, the company which owns Telegram is registered in the British Virgin Islands. This ability to mix the public and the private, as well as the ability to use bots to engage with users has proved to be problematic. In early 2021, a database selling phone numbers pulled from Facebook was selling numbers for $20 per lookup. Similarly, security researchers found a network of deepfake bots on the platform that were generating images of people submitted by users to create non-consensual imagery, some of which involved children. But the Ukraine Crisis Media Center's Tsekhanovska points out that communications are often down in zones most affected by the war, making this sort of cross-referencing a luxury many cannot afford. In 2018, Russia banned Telegram although it reversed the prohibition two years later. The channel appears to be part of the broader information war that has developed following Russia's invasion of Ukraine. The Kremlin has paid Russian TikTok influencers to push propaganda, according to a Vice News investigation, while ProPublica found that fake Russian fact check videos had been viewed over a million times on Telegram.
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