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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У
Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon



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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У
Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon

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On February 27th, Durov posted that Channels were becoming a source of unverified information and that the company lacks the ability to check on their veracity. He urged users to be mistrustful of the things shared on Channels, and initially threatened to block the feature in the countries involved for the length of the war, saying that he didn’t want Telegram to be used to aggravate conflict or incite ethnic hatred. He did, however, walk back this plan when it became clear that they had also become a vital communications tool for Ukrainian officials and citizens to help coordinate their resistance and evacuations. "He has to start being more proactive and to find a real solution to this situation, not stay in standby without interfering. It's a very irresponsible position from the owner of Telegram," she said. The regulator said it has been undertaking several campaigns to educate the investors to be vigilant while taking investment decisions based on stock tips. "Like the bombing of the maternity ward in Mariupol," he said, "Even before it hits the news, you see the videos on the Telegram channels." "He has kind of an old-school cyber-libertarian world view where technology is there to set you free," Maréchal said.
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