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Вестник киноведа | Telegram Webview: vestnik_kinoveda/204 -
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International Program
Leisure, Utopic, Beatrice Gibson, 2024
We, Artavazd Péléchian, 1969
Le Bateau de l’exil, Jocelyne Saab, 1982
A Fidai Film, Kamal Aljafari, 2024
Atman, Toshio Matsumoto, 1975
Two Refusals (Would We Recognize Ourselves Unbroken?), Suneil Sanzgiri, 2024
Hostage: The Bachar Tapes (English Version), Walid Raad, 2001
Nazarbazi, Maryam Tafakory, 2022
Countdown, Akram Zaatari, 1995
Un Âne, Eitan Efrat and Sirah Foighel Brutmann, 2023
Jelena, Friedl vom Gröller (Kubelka), 2024
Sunflower Siege Engine, Sky Hopinka, 2022
They Do Not Exist, Mustafa Abu Ali, 1974
Poppies and Sailboats, Rose Lowder, 2001
Evil.5: Grin and Bear (No Responsibility Mix), Tony Cokes, 2006
The Motherfucker’s Birthday, Saif Alsaegh, 2024
O, Persecuted, Basma Alsharif, 2014
Camera Test, Siegfried Fruhauf, 2022
Potenciais à deriva, Leonardo Pirondi, 2024
The Crack-Up, Jonathan Schwartz, 2017
It Is Night in America, Ana Vaz, 2022
Bouquets 31–40, Rose Lowder, 2015–2022
The Soldier’s Lagoon, Pablo Álvarez-Mesa, 2024
Bisagras, Luis Arnías, 2024
Bloom, Helena Girón and Samuel M. Delgado, 2023
Terminal Island, Sam Drake, 2024
Go Between, Chris Kennedy, 2024
Down Wind, Pat O’Neill, 1973
After Work, Céline Condorelli and Ben Rivers, 2022
To Brasil, Ute Aurand, 2023
Podwórka, Sharon Lockhart, 2009
Shokouk, Rouzbeh Akhbari and Felix Kalmenson, 2023
A Black Screen Too, Rhayne Vermette, 2024
Refuse Room, Simon Liu, 2024
On the Battlefield, Little Egypt Collective, 2024
The Winged Stone, Colectivo los Ingrávidos, 2023
West Lounge, Kevin Jerome Everson, 2023
Bounded Intimacy, Ayanna Dozier, 2024
Repetitions, Morgan Quaintance, 2022
Cultural Nationalism, Skip Norman, 1969
Quiet as It’s Kept, Ja’Tovia Gary, 2023
A Stone’s Throw, Razan AlSalah, 2024
The Diary of a Sky, Lawrence Abu Hamdan, 2024
The Time that Separates Us, Parastoo Anoushahpour, 2022
Inextinguishable Fire, Harun Farocki, 1969
Last Things, Deborah Stratman, 2023

Spotlight Artists:
An Ecstatic Experience, Ja’Tovia Gary, USA, 16mm > digital, 6 min, 2015
he Giverny Document, Ja’Tovia Gary, USA, S16mm > digital, 41 min, 2019

Manzanas, Narcisa Hirsch, Argentina, 16mm > digital, 4.5 min, 1969
A-Dios, Narcisa Hirsch, Argentina, 16mm > digital , 25 min, 1984

Beyrouth jamais plus, Jocelyne Saab, Lebanon/France, 16mm > digital, 37 min, 1976
Pour quelques vies, Jocelyne Saab, Lebanon/France , 16mm > digital, 18 min, 1976

Eyes Skinned, Mona Hatoum, Palestine/England, digital, 4 min, 1988
Measures of Distance, Mona Hatoum, Palestine/England, digital, 15.5 min, 1988

b/w, Christopher Harris, USA, 16mm > digital, 15 min, 2024
still/here, Christopher Harris, USA, 2001

Too Bright to See, Madeleine Hunt-Ehrlich, USA, 16mm > digital, 27.5 min, 2023
Footnote to the West, Madeleine Hunt-Ehrlich, USA , digital, 5 min, 2020

The Secret Garden, Nour Ouayda, Canada/Lebanon, 16mm > digital, 27 min, 2023
Towards the Sun, Nour Ouayda, Canada/Lebanon, 16mm > digital, 17 min, 2019

Hands Tied, Richard Serra, USA, 16mm > digital, 6 min, 1968
Railroad Turnbridge, Richard Serra USA , 16mm > digital, 17.5 min, 1976

Regional Program
Film in which a hand moves almost blindly across a canvas, Nik Liguori, 2024
Driving Force, Joanie Wind, 2023
Freshwater, dream hampton, 2022
phantoms, Scott Northrup, 2024
evidence, Trinity Sutherland, 2023
The Tiger, Shanna Maurizi, 2024
Mourner’s Bench, bree gant, 2022
Letter from Blackhawk Island, Derek Jenkins, 2024
We Are We Come We Go, Ed Janzen, 2023
Civil War Surveillance Poems (Part 1), Mitch McCabe, 2020
If I Was a Poem, Katie Barkel, 2024



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International Program
Leisure, Utopic, Beatrice Gibson, 2024
We, Artavazd Péléchian, 1969
Le Bateau de l’exil, Jocelyne Saab, 1982
A Fidai Film, Kamal Aljafari, 2024
Atman, Toshio Matsumoto, 1975
Two Refusals (Would We Recognize Ourselves Unbroken?), Suneil Sanzgiri, 2024
Hostage: The Bachar Tapes (English Version), Walid Raad, 2001
Nazarbazi, Maryam Tafakory, 2022
Countdown, Akram Zaatari, 1995
Un Âne, Eitan Efrat and Sirah Foighel Brutmann, 2023
Jelena, Friedl vom Gröller (Kubelka), 2024
Sunflower Siege Engine, Sky Hopinka, 2022
They Do Not Exist, Mustafa Abu Ali, 1974
Poppies and Sailboats, Rose Lowder, 2001
Evil.5: Grin and Bear (No Responsibility Mix), Tony Cokes, 2006
The Motherfucker’s Birthday, Saif Alsaegh, 2024
O, Persecuted, Basma Alsharif, 2014
Camera Test, Siegfried Fruhauf, 2022
Potenciais à deriva, Leonardo Pirondi, 2024
The Crack-Up, Jonathan Schwartz, 2017
It Is Night in America, Ana Vaz, 2022
Bouquets 31–40, Rose Lowder, 2015–2022
The Soldier’s Lagoon, Pablo Álvarez-Mesa, 2024
Bisagras, Luis Arnías, 2024
Bloom, Helena Girón and Samuel M. Delgado, 2023
Terminal Island, Sam Drake, 2024
Go Between, Chris Kennedy, 2024
Down Wind, Pat O’Neill, 1973
After Work, Céline Condorelli and Ben Rivers, 2022
To Brasil, Ute Aurand, 2023
Podwórka, Sharon Lockhart, 2009
Shokouk, Rouzbeh Akhbari and Felix Kalmenson, 2023
A Black Screen Too, Rhayne Vermette, 2024
Refuse Room, Simon Liu, 2024
On the Battlefield, Little Egypt Collective, 2024
The Winged Stone, Colectivo los Ingrávidos, 2023
West Lounge, Kevin Jerome Everson, 2023
Bounded Intimacy, Ayanna Dozier, 2024
Repetitions, Morgan Quaintance, 2022
Cultural Nationalism, Skip Norman, 1969
Quiet as It’s Kept, Ja’Tovia Gary, 2023
A Stone’s Throw, Razan AlSalah, 2024
The Diary of a Sky, Lawrence Abu Hamdan, 2024
The Time that Separates Us, Parastoo Anoushahpour, 2022
Inextinguishable Fire, Harun Farocki, 1969
Last Things, Deborah Stratman, 2023

Spotlight Artists:
An Ecstatic Experience, Ja’Tovia Gary, USA, 16mm > digital, 6 min, 2015
he Giverny Document, Ja’Tovia Gary, USA, S16mm > digital, 41 min, 2019

Manzanas, Narcisa Hirsch, Argentina, 16mm > digital, 4.5 min, 1969
A-Dios, Narcisa Hirsch, Argentina, 16mm > digital , 25 min, 1984

Beyrouth jamais plus, Jocelyne Saab, Lebanon/France, 16mm > digital, 37 min, 1976
Pour quelques vies, Jocelyne Saab, Lebanon/France , 16mm > digital, 18 min, 1976

Eyes Skinned, Mona Hatoum, Palestine/England, digital, 4 min, 1988
Measures of Distance, Mona Hatoum, Palestine/England, digital, 15.5 min, 1988

b/w, Christopher Harris, USA, 16mm > digital, 15 min, 2024
still/here, Christopher Harris, USA, 2001

Too Bright to See, Madeleine Hunt-Ehrlich, USA, 16mm > digital, 27.5 min, 2023
Footnote to the West, Madeleine Hunt-Ehrlich, USA , digital, 5 min, 2020

The Secret Garden, Nour Ouayda, Canada/Lebanon, 16mm > digital, 27 min, 2023
Towards the Sun, Nour Ouayda, Canada/Lebanon, 16mm > digital, 17 min, 2019

Hands Tied, Richard Serra, USA, 16mm > digital, 6 min, 1968
Railroad Turnbridge, Richard Serra USA , 16mm > digital, 17.5 min, 1976

Regional Program
Film in which a hand moves almost blindly across a canvas, Nik Liguori, 2024
Driving Force, Joanie Wind, 2023
Freshwater, dream hampton, 2022
phantoms, Scott Northrup, 2024
evidence, Trinity Sutherland, 2023
The Tiger, Shanna Maurizi, 2024
Mourner’s Bench, bree gant, 2022
Letter from Blackhawk Island, Derek Jenkins, 2024
We Are We Come We Go, Ed Janzen, 2023
Civil War Surveillance Poems (Part 1), Mitch McCabe, 2020
If I Was a Poem, Katie Barkel, 2024

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On Telegram’s website, it says that Pavel Durov “supports Telegram financially and ideologically while Nikolai (Duvov)’s input is technological.” Currently, the Telegram team is based in Dubai, having moved around from Berlin, London and Singapore after departing Russia. Meanwhile, the company which owns Telegram is registered in the British Virgin Islands. Ukrainian forces successfully attacked Russian vehicles in the capital city of Kyiv thanks to a public tip made through the encrypted messaging app Telegram, Ukraine's top law-enforcement agency said on Tuesday. "The argument from Telegram is, 'You should trust us because we tell you that we're trustworthy,'" Maréchal said. "It's really in the eye of the beholder whether that's something you want to buy into." "Like the bombing of the maternity ward in Mariupol," he said, "Even before it hits the news, you see the videos on the Telegram channels." Russians and Ukrainians are both prolific users of Telegram. They rely on the app for channels that act as newsfeeds, group chats (both public and private), and one-to-one communication. Since the Russian invasion of Ukraine, Telegram has remained an important lifeline for both Russians and Ukrainians, as a way of staying aware of the latest news and keeping in touch with loved ones.
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