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Итоги торгов Christies’s феноменальной коллекции Юбера Живанши:
•Скульптура Альберто Джакометти “Идущая женщина” ушла за ~ 27.2 млн евро, установив тем самым рекорд как самая дорогая проданная работа на аукционе во Франции в этом году.
•Дверной молоток авторства Диего Джакометти за ~150К евро (брат doing much better).
•Хуан Миро (L’oiseau Migrateur, 1968) ушел за ~6,8 млн евро
•Тот самый фавн Пикассо, на фоне которого позирует Юбер Живанши (Faune à la lance, 1947) продан за ~4,2 млн евро, перешагнув эстимейт в полтора раза.
Общая сумма торгов коллекции безупречного провенанса и вкуса превысила 114 млн евро.

(3) 📸 by Eric Robert
Hubert de Givenchy in Château du Jonchet, Touraine, France 1995

📌Hubert de Givenchy Auction at Christie’s estimates more than 114 million euro. Alberto Giacometti went for 27.2 million euro, Pablo Picasso’s Fawn ~4,2 million euro, François-Xavier Lalanne, ‘Oiseau de jardin’ sold for €1,6
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Итоги торгов Christies’s феноменальной коллекции Юбера Живанши:
•Скульптура Альберто Джакометти “Идущая женщина” ушла за ~ 27.2 млн евро, установив тем самым рекорд как самая дорогая проданная работа на аукционе во Франции в этом году.
•Дверной молоток авторства Диего Джакометти за ~150К евро (брат doing much better).
•Хуан Миро (L’oiseau Migrateur, 1968) ушел за ~6,8 млн евро
•Тот самый фавн Пикассо, на фоне которого позирует Юбер Живанши (Faune à la lance, 1947) продан за ~4,2 млн евро, перешагнув эстимейт в полтора раза.
Общая сумма торгов коллекции безупречного провенанса и вкуса превысила 114 млн евро.

(3) 📸 by Eric Robert
Hubert de Givenchy in Château du Jonchet, Touraine, France 1995

📌Hubert de Givenchy Auction at Christie’s estimates more than 114 million euro. Alberto Giacometti went for 27.2 million euro, Pablo Picasso’s Fawn ~4,2 million euro, François-Xavier Lalanne, ‘Oiseau de jardin’ sold for €1,6
View results & details more Here

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At this point, however, Durov had already been working on Telegram with his brother, and further planned a mobile-first social network with an explicit focus on anti-censorship. Later in April, he told TechCrunch that he had left Russia and had “no plans to go back,” saying that the nation was currently “incompatible with internet business at the moment.” He added later that he was looking for a country that matched his libertarian ideals to base his next startup. The next bit isn’t clear, but Durov reportedly claimed that his resignation, dated March 21st, was an April Fools’ prank. TechCrunch implies that it was a matter of principle, but it’s hard to be clear on the wheres, whos and whys. Similarly, on April 17th, the Moscow Times quoted Durov as saying that he quit the company after being pressured to reveal account details about Ukrainians protesting the then-president Viktor Yanukovych. Multiple pro-Kremlin media figures circulated the post's false claims, including prominent Russian journalist Vladimir Soloviev and the state-controlled Russian outlet RT, according to the DFR Lab's report. The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. Perpetrators of such fraud use various marketing techniques to attract subscribers on their social media channels.
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