Out of the ruins Out from the wreckage Can't make the same mistake this time We are the children, the last generation We are the ones they left behind And, I wonder when we are ever gonna change Living under the fear, until nothing else remains
We don't need another hero We don't need to know the way home All we want is life beyond Thunderdome
Out of the ruins Out from the wreckage Can't make the same mistake this time We are the children, the last generation We are the ones they left behind And, I wonder when we are ever gonna change Living under the fear, until nothing else remains
We don't need another hero We don't need to know the way home All we want is life beyond Thunderdome
The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. The Russian invasion of Ukraine has been a driving force in markets for the past few weeks. The regulator said it had received information that messages containing stock tips and other investment advice with respect to selected listed companies are being widely circulated through websites and social media platforms such as Telegram, Facebook, WhatsApp and Instagram. But Kliuchnikov, the Ukranian now in France, said he will use Signal or WhatsApp for sensitive conversations, but questions around privacy on Telegram do not give him pause when it comes to sharing information about the war. Telegram boasts 500 million users, who share information individually and in groups in relative security. But Telegram's use as a one-way broadcast channel — which followers can join but not reply to — means content from inauthentic accounts can easily reach large, captive and eager audiences.
from tr
