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Пока лето радует нас жаркими днями, продолжаем по ежегодной традиции делиться с вами примечательными шезлонгами. В меню сегодняшнего «Вестника постмодернизма» две модели, спроектированные выдающимся бельгийским архитектором Маартеном ван Севереном. Закончив Королевскую школу изящных искусств в Генте, ван Северен вскоре решил посвятить себя созданию мебели и в 1986 г. начал проектировать предметы домашнего обихода и заниматься интерьерными проектами, в том числе в дуэте с Ремом Колхасом, под девизом «Именно мебель делает пространство жилым».

Как и многие другие работы ван Сеерена, шезлонг MVS, созданный в 2000 г. для компании «Vitra», демонстрирует знание архитектором классики модернизма: в контурах этого предмета угадываются черты знаменитых шезлонгов Шарлотты Перриан, вот только работа ван Северена позволяет сидящему сохранять связь с землей или отрываться от нее переносом веса тела.

———

It’s quite hot these days in St. Petersburg and we’re thus continuing with our summer tradition of sharing outdoor chaises with you. Today’s issue of Sunday Postmodernism features two remarkable pieces designed by Maarten van Severen, an outstanding Belgian architect. Having studied architecture at the Royal School of Fine Arts in Ghent, van Severen soon decided to switch to furniture designs and, starting from 1986, produced quite a number of domestic furnishings, often working alongside Rem Koolhaas as an interior designer, guided by his belief that ‘Furniture is what makes the space liveable’.

LIke many other furniture designs by van Severen, the MVS chaise created in 2000 for Vitra showcases the architect’s knowledge of the staples of modernism. We simply cannot unsee the outlines of the legendary chaises by Charlotte Perriand. Unlike the LC4 lounger, the MVS enables the seater to stay in touch with the ground or float above it simply by shifting his/her weight.



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Пока лето радует нас жаркими днями, продолжаем по ежегодной традиции делиться с вами примечательными шезлонгами. В меню сегодняшнего «Вестника постмодернизма» две модели, спроектированные выдающимся бельгийским архитектором Маартеном ван Севереном. Закончив Королевскую школу изящных искусств в Генте, ван Северен вскоре решил посвятить себя созданию мебели и в 1986 г. начал проектировать предметы домашнего обихода и заниматься интерьерными проектами, в том числе в дуэте с Ремом Колхасом, под девизом «Именно мебель делает пространство жилым».

Как и многие другие работы ван Сеерена, шезлонг MVS, созданный в 2000 г. для компании «Vitra», демонстрирует знание архитектором классики модернизма: в контурах этого предмета угадываются черты знаменитых шезлонгов Шарлотты Перриан, вот только работа ван Северена позволяет сидящему сохранять связь с землей или отрываться от нее переносом веса тела.

———

It’s quite hot these days in St. Petersburg and we’re thus continuing with our summer tradition of sharing outdoor chaises with you. Today’s issue of Sunday Postmodernism features two remarkable pieces designed by Maarten van Severen, an outstanding Belgian architect. Having studied architecture at the Royal School of Fine Arts in Ghent, van Severen soon decided to switch to furniture designs and, starting from 1986, produced quite a number of domestic furnishings, often working alongside Rem Koolhaas as an interior designer, guided by his belief that ‘Furniture is what makes the space liveable’.

LIke many other furniture designs by van Severen, the MVS chaise created in 2000 for Vitra showcases the architect’s knowledge of the staples of modernism. We simply cannot unsee the outlines of the legendary chaises by Charlotte Perriand. Unlike the LC4 lounger, the MVS enables the seater to stay in touch with the ground or float above it simply by shifting his/her weight.

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In February 2014, the Ukrainian people ousted pro-Russian president Viktor Yanukovych, prompting Russia to invade and annex the Crimean peninsula. By the start of April, Pavel Durov had given his notice, with TechCrunch saying at the time that the CEO had resisted pressure to suppress pages criticizing the Russian government. So, uh, whenever I hear about Telegram, it’s always in relation to something bad. What gives? Markets continued to grapple with the economic and corporate earnings implications relating to the Russia-Ukraine conflict. “We have a ton of uncertainty right now,” said Stephanie Link, chief investment strategist and portfolio manager at Hightower Advisors. “We’re dealing with a war, we’re dealing with inflation. We don’t know what it means to earnings.” Since its launch in 2013, Telegram has grown from a simple messaging app to a broadcast network. Its user base isn’t as vast as WhatsApp’s, and its broadcast platform is a fraction the size of Twitter, but it’s nonetheless showing its use. While Telegram has been embroiled in controversy for much of its life, it has become a vital source of communication during the invasion of Ukraine. But, if all of this is new to you, let us explain, dear friends, what on Earth a Telegram is meant to be, and why you should, or should not, need to care. Ukrainian forces successfully attacked Russian vehicles in the capital city of Kyiv thanks to a public tip made through the encrypted messaging app Telegram, Ukraine's top law-enforcement agency said on Tuesday.
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