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Warning: file_put_contents(aCache/aDaily/post/onibaba_tut/--): Failed to open stream: No such file or directory in /var/www/group-telegram/post.php on line 50 Онибаба на проводе | Telegram Webview: onibaba_tut/1004 -
2) Japanese Horror Cinema. Edited by Jay McRoy Сборник эссе с анализом исторического и культурного контекста: влияние театральных и литературных традиций, мстительные духи, атомная бомбардировка, быстрая индустриализация, гендер, отношения с западным фильмами ужасов и т.д.
…The genre of plays performed on the Kabuki stage is dictated by the seasons of the year: celebratory plays in early spring follow plays set in palaces or pleasure quarters; in the summer and early autumn, ghost and violent plays are popular, following the logic that the hot weather can be tempered with plays that ‘send chills down the backbones of the audience’...
Characteristic sequences in the more brutal Kabuki plays include scenes of torture, as well as korishiba (violent/murder scenes), self-mutilation and seppuku (suicide), and tachiwara (elaborate fight sequences). These aspects of the form establish a distinct quality in Kabuki that is known as zankoku no bi (‘aesthetic of cruelty’), which Samuel L. Leiter defines as ‘a highly aestheticized, even fantastical world where the inherent sadism is muted by artistic techniques’.
2) Japanese Horror Cinema. Edited by Jay McRoy Сборник эссе с анализом исторического и культурного контекста: влияние театральных и литературных традиций, мстительные духи, атомная бомбардировка, быстрая индустриализация, гендер, отношения с западным фильмами ужасов и т.д.
…The genre of plays performed on the Kabuki stage is dictated by the seasons of the year: celebratory plays in early spring follow plays set in palaces or pleasure quarters; in the summer and early autumn, ghost and violent plays are popular, following the logic that the hot weather can be tempered with plays that ‘send chills down the backbones of the audience’...
Characteristic sequences in the more brutal Kabuki plays include scenes of torture, as well as korishiba (violent/murder scenes), self-mutilation and seppuku (suicide), and tachiwara (elaborate fight sequences). These aspects of the form establish a distinct quality in Kabuki that is known as zankoku no bi (‘aesthetic of cruelty’), which Samuel L. Leiter defines as ‘a highly aestheticized, even fantastical world where the inherent sadism is muted by artistic techniques’.
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Emerson Brooking, a disinformation expert at the Atlantic Council's Digital Forensic Research Lab, said: "Back in the Wild West period of content moderation, like 2014 or 2015, maybe they could have gotten away with it, but it stands in marked contrast with how other companies run themselves today." In 2014, Pavel Durov fled the country after allies of the Kremlin took control of the social networking site most know just as VK. Russia's intelligence agency had asked Durov to turn over the data of anti-Kremlin protesters. Durov refused to do so. Channels are not fully encrypted, end-to-end. All communications on a Telegram channel can be seen by anyone on the channel and are also visible to Telegram. Telegram may be asked by a government to hand over the communications from a channel. Telegram has a history of standing up to Russian government requests for data, but how comfortable you are relying on that history to predict future behavior is up to you. Because Telegram has this data, it may also be stolen by hackers or leaked by an internal employee. In 2018, Russia banned Telegram although it reversed the prohibition two years later. Andrey, a Russian entrepreneur living in Brazil who, fearing retaliation, asked that NPR not use his last name, said Telegram has become one of the few places Russians can access independent news about the war.
from tr
