в галерее la fab., прямо напротив bnf и соответствующего mk2, сейчас идет небольшая выставка фотографий йонаса мекаса — вернее, фреймов его кинопленок (если честно, я теряюсь, какой термин тут корректнее употребить. la fab. пишут photogrammes). там же у agnes b., в тогда еще просто galerie du jour в 1996 году, он впервые показал эти кадры в таком статичном увеличенном формате. вот милая цитата из каталога :
These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.
I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.
These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.
I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.
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в галерее la fab., прямо напротив bnf и соответствующего mk2, сейчас идет небольшая выставка фотографий йонаса мекаса — вернее, фреймов его кинопленок (если честно, я теряюсь, какой термин тут корректнее употребить. la fab. пишут photogrammes). там же у agnes b., в тогда еще просто galerie du jour в 1996 году, он впервые показал эти кадры в таком статичном увеличенном формате. вот милая цитата из каталога :
These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.
I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.
These images are from my films. But they are no longer my films. At the same time, they are not photographs. What are they, then ? They are my obsessions. I got obsessed with the possibilities of frozen frames. It began as a chance curiosity and then became an obsession. I don't really know what these images are. But I recognize them as part of my memory. And I like seeing them again, these fragments of memories.
I also know that such images wouldn't be possible to extract from the commercial cinema. They are possible only because of my single-frame filming style. That I find interesting and exciting. And I have to admit: I am hiding these images from Robert Frank. Last time I spoke with him, a few months ago, and obliquely mentioned what I was doing, he laughed and said, "Stay away from photography, it can be dangerous." But I know Robert is a very kind man and he knows that I have no pretentions to photography. I am, really, in no man's land and I have no idea where I am going and where this adventure will take me.
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