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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У
Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon



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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У
Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon

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Emerson Brooking, a disinformation expert at the Atlantic Council's Digital Forensic Research Lab, said: "Back in the Wild West period of content moderation, like 2014 or 2015, maybe they could have gotten away with it, but it stands in marked contrast with how other companies run themselves today." But the Ukraine Crisis Media Center's Tsekhanovska points out that communications are often down in zones most affected by the war, making this sort of cross-referencing a luxury many cannot afford. Telegram does offer end-to-end encrypted communications through Secret Chats, but this is not the default setting. Standard conversations use the MTProto method, enabling server-client encryption but with them stored on the server for ease-of-access. This makes using Telegram across multiple devices simple, but also means that the regular Telegram chats you’re having with folks are not as secure as you may believe. Since its launch in 2013, Telegram has grown from a simple messaging app to a broadcast network. Its user base isn’t as vast as WhatsApp’s, and its broadcast platform is a fraction the size of Twitter, but it’s nonetheless showing its use. While Telegram has been embroiled in controversy for much of its life, it has become a vital source of communication during the invasion of Ukraine. But, if all of this is new to you, let us explain, dear friends, what on Earth a Telegram is meant to be, and why you should, or should not, need to care. Russians and Ukrainians are both prolific users of Telegram. They rely on the app for channels that act as newsfeeds, group chats (both public and private), and one-to-one communication. Since the Russian invasion of Ukraine, Telegram has remained an important lifeline for both Russians and Ukrainians, as a way of staying aware of the latest news and keeping in touch with loved ones.
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