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2) Japanese Horror Cinema. Edited by Jay McRoy
Сборник эссе с анализом исторического и культурного контекста: влияние театральных и литературных традиций, мстительные духи, атомная бомбардировка, быстрая индустриализация, гендер, отношения с западным фильмами ужасов и т.д.

…The genre of plays performed on the Kabuki stage is dictated by the seasons of the year: celebratory plays in early spring follow plays set in palaces or pleasure quarters; in the summer and early autumn, ghost and violent plays are popular, following the logic that the hot weather can be tempered with plays that ‘send chills down the backbones of the audience’...

Characteristic sequences in the more brutal Kabuki plays include scenes of torture, as well as korishiba (violent/murder scenes), self-mutilation and seppuku (suicide), and tachiwara (elaborate fight sequences). These aspects of the form establish a distinct quality in Kabuki that is known as zankoku no bi (‘aesthetic of cruelty’), which Samuel L. Leiter defines as ‘a highly aestheticized, even fantastical world where the inherent sadism is muted by artistic techniques’.



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2) Japanese Horror Cinema. Edited by Jay McRoy
Сборник эссе с анализом исторического и культурного контекста: влияние театральных и литературных традиций, мстительные духи, атомная бомбардировка, быстрая индустриализация, гендер, отношения с западным фильмами ужасов и т.д.

…The genre of plays performed on the Kabuki stage is dictated by the seasons of the year: celebratory plays in early spring follow plays set in palaces or pleasure quarters; in the summer and early autumn, ghost and violent plays are popular, following the logic that the hot weather can be tempered with plays that ‘send chills down the backbones of the audience’...

Characteristic sequences in the more brutal Kabuki plays include scenes of torture, as well as korishiba (violent/murder scenes), self-mutilation and seppuku (suicide), and tachiwara (elaborate fight sequences). These aspects of the form establish a distinct quality in Kabuki that is known as zankoku no bi (‘aesthetic of cruelty’), which Samuel L. Leiter defines as ‘a highly aestheticized, even fantastical world where the inherent sadism is muted by artistic techniques’.

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Russian President Vladimir Putin launched Russia's invasion of Ukraine in the early-morning hours of February 24, targeting several key cities with military strikes. Telegram users are able to send files of any type up to 2GB each and access them from any device, with no limit on cloud storage, which has made downloading files more popular on the platform. Ukrainian forces have since put up a strong resistance to the Russian troops amid the war that has left hundreds of Ukrainian civilians, including children, dead, according to the United Nations. Ukrainian and international officials have accused Russia of targeting civilian populations with shelling and bombardments. Given the pro-privacy stance of the platform, it’s taken as a given that it’ll be used for a number of reasons, not all of them good. And Telegram has been attached to a fair few scandals related to terrorism, sexual exploitation and crime. Back in 2015, Vox described Telegram as “ISIS’ app of choice,” saying that the platform’s real use is the ability to use channels to distribute material to large groups at once. Telegram has acted to remove public channels affiliated with terrorism, but Pavel Durov reiterated that he had no business snooping on private conversations. "Someone posing as a Ukrainian citizen just joins the chat and starts spreading misinformation, or gathers data, like the location of shelters," Tsekhanovska said, noting how false messages have urged Ukrainians to turn off their phones at a specific time of night, citing cybersafety.
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