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Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques

Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон

www.group-telegram.com/ua/artintensity.com/2263

185 viewsOct 11 at 15:03

group-telegram.com/artintensity/2262

Create: 2024-10-11
Last Update: 2024-10-16 10:25:24

Back to Frieze: просто шесть работ, захвативших мое внимание. Всегда люблю рефлексировать, почему именно они.

Итак:

Steve Bishop. ‘Embraceable You’, 2020. Melamine covered chipboard, lamp, journals, glass, ceramic, muesli, spoon, PVC, modified radio with playlist. У Carlos/Ishikava

Ugo Rondinone.
‘siebteroktoberzweitausendunddreiundzwanzig’, 2023. Acrylic on canvas. У Ester Schipper

Thomas Schutte. ‘Wolken VI’, 2022. Etching. Frith Street Gallery

Cemile Sahin. ‘20’ и ‘15’, 2024/2022
UV print on car wrapping foil mounted on fluorescent acrylic glass, displayed on clear acrylic shelf. Тоже Ester Schipper

P. Staff. ‘against death. // not again dying II’, 2024. Steel, temporary tattoos. Оч понравился весь стенд галереи Sultana (Париж/Арль)

Sophie Barber. ‘Vincent's Sunflowers’, 2024. Oil, oil stick on canvas. Найдено у Alison Jacques

Ну и приятное совпадение: работа с елкой, оказалось, выбрана для обложки буклета Frieze Week.

→ начинаю свой день два

@artintensity • #лондон

BY artintensity

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Date: 2024-10-16|

Now safely in France with his spouse and three of his children, Kliuchnikov scrolls through Telegram to learn about the devastation happening in his home country. "For Telegram, accountability has always been a problem, which is why it was so popular even before the full-scale war with far-right extremists and terrorists from all over the world," she told AFP from her safe house outside the Ukrainian capital. On February 27th, Durov posted that Channels were becoming a source of unverified information and that the company lacks the ability to check on their veracity. He urged users to be mistrustful of the things shared on Channels, and initially threatened to block the feature in the countries involved for the length of the war, saying that he didn’t want Telegram to be used to aggravate conflict or incite ethnic hatred. He did, however, walk back this plan when it became clear that they had also become a vital communications tool for Ukrainian officials and citizens to help coordinate their resistance and evacuations. Two days after Russia invaded Ukraine, an account on the Telegram messaging platform posing as President Volodymyr Zelenskiy urged his armed forces to surrender. "Markets were cheering this economic recovery and return to strong economic growth, but the cheers will turn to tears if the inflation outbreak pushes businesses and consumers to the brink of recession," he added.
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