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احساس می‌کنم یه مقداری ادا تو قلم موراکامی هست ولی دارم از خوندنش لذت می‌برم. سوژهٔ خوبی داره که به دلیل داشتن تجربهٔ شخصیِ نسبتا نزدیک به شخصیت اول داستان، باهاش حس هم‌ذات‌پنداری خوبی دارم. خود داستان هم دقیقا از همون مدل داستان‌هاست که من دوست دارم: شخصیت‌محوره و نه اتفاق‌محور.



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احساس می‌کنم یه مقداری ادا تو قلم موراکامی هست ولی دارم از خوندنش لذت می‌برم. سوژهٔ خوبی داره که به دلیل داشتن تجربهٔ شخصیِ نسبتا نزدیک به شخصیت اول داستان، باهاش حس هم‌ذات‌پنداری خوبی دارم. خود داستان هم دقیقا از همون مدل داستان‌هاست که من دوست دارم: شخصیت‌محوره و نه اتفاق‌محور.

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But the Ukraine Crisis Media Center's Tsekhanovska points out that communications are often down in zones most affected by the war, making this sort of cross-referencing a luxury many cannot afford. The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. "And that set off kind of a battle royale for control of the platform that Durov eventually lost," said Nathalie Maréchal of the Washington advocacy group Ranking Digital Rights. It is unclear who runs the account, although Russia's official Ministry of Foreign Affairs Twitter account promoted the Telegram channel on Saturday and claimed it was operated by "a group of experts & journalists." Although some channels have been removed, the curation process is considered opaque and insufficient by analysts.
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