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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У
Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon



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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У
Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon

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"We as Ukrainians believe that the truth is on our side, whether it's truth that you're proclaiming about the war and everything else, why would you want to hide it?," he said. "Someone posing as a Ukrainian citizen just joins the chat and starts spreading misinformation, or gathers data, like the location of shelters," Tsekhanovska said, noting how false messages have urged Ukrainians to turn off their phones at a specific time of night, citing cybersafety. Markets continued to grapple with the economic and corporate earnings implications relating to the Russia-Ukraine conflict. “We have a ton of uncertainty right now,” said Stephanie Link, chief investment strategist and portfolio manager at Hightower Advisors. “We’re dealing with a war, we’re dealing with inflation. We don’t know what it means to earnings.” Emerson Brooking, a disinformation expert at the Atlantic Council's Digital Forensic Research Lab, said: "Back in the Wild West period of content moderation, like 2014 or 2015, maybe they could have gotten away with it, but it stands in marked contrast with how other companies run themselves today." Telegram has become more interventionist over time, and has steadily increased its efforts to shut down these accounts. But this has also meant that the company has also engaged with lawmakers more generally, although it maintains that it doesn’t do so willingly. For instance, in September 2021, Telegram reportedly blocked a chat bot in support of (Putin critic) Alexei Navalny during Russia’s most recent parliamentary elections. Pavel Durov was quoted at the time saying that the company was obliged to follow a “legitimate” law of the land. He added that as Apple and Google both follow the law, to violate it would give both platforms a reason to boot the messenger from its stores.
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