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Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon

www.group-telegram.com/us/artintensity.com/2312

154 viewsOct 12 at 15:55

group-telegram.com/artintensity/2307

Create: 2024-10-12
Last Update: 2024-10-15 17:21:05

Мимо мегагалерей тоже сложно пройти: от Hauzer & Wirth и White Cube до Кэрол Бове на стенде Ларри Гагосяна. В его случае получился почти скульптурный парк, без всяких преград.

1, 2, 3 • Чарльз Гейнс. ‘Shadows X’ (1980), ‘Shadows XV’ (2024)
Photographs, ink on paper, 4 sheets. На стенде Hauser & Wirth

4 • Шанталь Иоффе. ‘Fox’, 2022.
Oil on panel. Стенд Victoria Miro

5 • Том Вессельман. ‘Bedroom Painting #64’, 1983. У Pace также классная живопись Уиллиама Монка (фото 10) и фотографии Питера Худжара.

6, 7 • новые абстрактные скульптуры Кэрол Бове из Бруклина. У Gagosian. Забавно, что с Бове, в том числе, начинался мой канал для друзей

8 • Сильви Флёри. ‘Solar Exposure (Cool)’, 2024. Acrylic on canvas on wood. На стенде Thaddaeus Ropac.

9 • Барбара Крюгер. ‘Untitled (How dare you not be me)’, 2024
Digital print on vinyl. У David Zwirner

@artintensity • #friezelondon

BY artintensity

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Date: 2024-10-15|

Sebi said data, emails and other documents are being retrieved from the seized devices and detailed investigation is in progress. He said that since his platform does not have the capacity to check all channels, it may restrict some in Russia and Ukraine "for the duration of the conflict," but then reversed course hours later after many users complained that Telegram was an important source of information. "Russians are really disconnected from the reality of what happening to their country," Andrey said. "So Telegram has become essential for understanding what's going on to the Russian-speaking world." The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel. "Your messages about the movement of the enemy through the official chatbot … bring new trophies every day," the government agency tweeted.
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