Коллеги выпустили второй номер альманаха "Время слышать", в который вошло и мое интервью с Алексеем Любимовым.
Выпуск изумительный, начиная с заглавной статьи Антона Светличного о взаимодействии современной музыки и технологий и заканчивая всеми остальными текстами, которые я прочитала на одном дыхании.
Коллеги выпустили второй номер альманаха "Время слышать", в который вошло и мое интервью с Алексеем Любимовым.
Выпуск изумительный, начиная с заглавной статьи Антона Светличного о взаимодействии современной музыки и технологий и заканчивая всеми остальными текстами, которые я прочитала на одном дыхании.
The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel. "And that set off kind of a battle royale for control of the platform that Durov eventually lost," said Nathalie Maréchal of the Washington advocacy group Ranking Digital Rights. Again, in contrast to Facebook, Google and Twitter, Telegram's founder Pavel Durov runs his company in relative secrecy from Dubai. The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. "There are several million Russians who can lift their head up from propaganda and try to look for other sources, and I'd say that most look for it on Telegram," he said.
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