Еще про кино: нам ближе франки, но их задавили в конкурентной ментальной борьбе англо-саксы (немцы, так-то)- объект этой борьбы мы с вами, одна седьмая часть суши, самая большая в мире страна. Удивительно это понимать, мы-то сами тут континент. И сакраментальный вопрос: кто кому Рабинович?
Еще про кино: нам ближе франки, но их задавили в конкурентной ментальной борьбе англо-саксы (немцы, так-то)- объект этой борьбы мы с вами, одна седьмая часть суши, самая большая в мире страна. Удивительно это понимать, мы-то сами тут континент. И сакраментальный вопрос: кто кому Рабинович?
BY МАРТЫНОВ
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Andrey, a Russian entrepreneur living in Brazil who, fearing retaliation, asked that NPR not use his last name, said Telegram has become one of the few places Russians can access independent news about the war. The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel. On Telegram’s website, it says that Pavel Durov “supports Telegram financially and ideologically while Nikolai (Duvov)’s input is technological.” Currently, the Telegram team is based in Dubai, having moved around from Berlin, London and Singapore after departing Russia. Meanwhile, the company which owns Telegram is registered in the British Virgin Islands. Recently, Durav wrote on his Telegram channel that users' right to privacy, in light of the war in Ukraine, is "sacred, now more than ever." This ability to mix the public and the private, as well as the ability to use bots to engage with users has proved to be problematic. In early 2021, a database selling phone numbers pulled from Facebook was selling numbers for $20 per lookup. Similarly, security researchers found a network of deepfake bots on the platform that were generating images of people submitted by users to create non-consensual imagery, some of which involved children.
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