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“Clipping - whatever kind of it - is not just a tool to "make it louder".

It is a most widely underrated, obscured and misunderstood tool in a music engineering toolkit.

Every time you read "saturation", "color", "mojo", "analogue-ness", "pushing a bit", "warm" and others, and whatever turns on in your mind associated with the old, "classic" names like Fairchild, Neve, Altec, and so on — this is all about nonlinear processing, mostly about some kind of clipping, pushing a circuit to not that linear region.. thus — clipping the signal, altering the waveform, generating harmonics…”
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“Clipping - whatever kind of it - is not just a tool to "make it louder".

It is a most widely underrated, obscured and misunderstood tool in a music engineering toolkit.

Every time you read "saturation", "color", "mojo", "analogue-ness", "pushing a bit", "warm" and others, and whatever turns on in your mind associated with the old, "classic" names like Fairchild, Neve, Altec, and so on — this is all about nonlinear processing, mostly about some kind of clipping, pushing a circuit to not that linear region.. thus — clipping the signal, altering the waveform, generating harmonics…”

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“Clipping - whatever kind of it - is not just a tool to "make it louder".

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