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Искусство - это не просто то, на что можно смотреть, но и то, чем можно жить, чувствовать и переживать.
Для Лизы Артамоновой эта философия является движущей силой творческого процесса. В этом интервью мы говорили о таких вещах, как вдохновение, поиск собственного стиля, размышления о внешних обстоятельствах и планах на будущее.

Работы Автора доступны на сайте, в разделе CURATION



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Искусство - это не просто то, на что можно смотреть, но и то, чем можно жить, чувствовать и переживать.
Для Лизы Артамоновой эта философия является движущей силой творческого процесса. В этом интервью мы говорили о таких вещах, как вдохновение, поиск собственного стиля, размышления о внешних обстоятельствах и планах на будущее.

Работы Автора доступны на сайте, в разделе CURATION

BY YK






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At this point, however, Durov had already been working on Telegram with his brother, and further planned a mobile-first social network with an explicit focus on anti-censorship. Later in April, he told TechCrunch that he had left Russia and had “no plans to go back,” saying that the nation was currently “incompatible with internet business at the moment.” He added later that he was looking for a country that matched his libertarian ideals to base his next startup. Soloviev also promoted the channel in a post he shared on his own Telegram, which has 580,000 followers. The post recommended his viewers subscribe to "War on Fakes" in a time of fake news. The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel. Artem Kliuchnikov and his family fled Ukraine just days before the Russian invasion. Recently, Durav wrote on his Telegram channel that users' right to privacy, in light of the war in Ukraine, is "sacred, now more than ever."
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